Willard Grant Conspiracy
| Willard Grant Conspiracy | |
|---|---|
WGC in 2008
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| Background information | |
| Origin | Boston, Massachusetts, United States |
| Genres |
Alternative country Americana |
| Years active | 1995–2016 |
| Labels | Loose Music, Rykodisc, Glitterhouse Records, Slow River Records, Kimchee Records |
| Associated acts |
The Walkabouts The Transmissionary Six |
| Website | http://www.willardgrantconspiracy.com |
| Past members | Robert Fisher Paul Austin Sean O'Brien James Apt David Michael Curry Erich Groat Matt Griffin Malcolm Travis |
Willard Grant Conspiracy (WGC) was an alt-country band based originally in Boston, Massachusetts and later near Palmdale, California, U.S.. The band operated as a collective, with vocalist and songwriter Robert Fisher the only permanent member throughout its existence. Fisher's voice and Americana style have been compared to both John Cale and Johnny Cash, with most songs being acoustic.
The band was originally formed in Boston in 1995, by Lancaster, California-raised Robert Fisher (c.1957–February 12, 2017), and Paul Austin. The two had previously collaborated since the early 1980s in Portland, Maine, and in the Flower Tamers. They added guitarist Sean O'Brien to record their debut album, 3 AM Sunday at Fortune Otto's, issued on Foster's own Dahlia label. For their 1998 album, Flying Low, released on Rykodisc, the trio added James Apt (guitar), David Michael Curry (viola), Erich Groat (bass) and Matt Griffin (bass).
Over subsequent years, some 30 other musicians occasionally contributed to the band, both in the studio and during live performances. WGC was signed to the independent label Loose, having previously released on Rykodisc, Glitterhouse Records and Kimchee Records. Later albums included the live recording Weevils in the Captain's Biscuit, and Mojave. The band's 2003 release Regard The End, featuring Kristin Hersh as well as Chris Eckman of The Walkabouts, and recorded in Ljubljana, Slovenia, received critical acclaim with Uncut magazine naming it Album of the Month. Their albums have been described as "experimenting with country and psychedelic sounds and the blues and punk, while... Regard the End, which many fans and critics see as their masterpiece, upgraded several traditional songs and merged them with a rock sound."
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