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We Can Work It Out

"We Can Work It Out"
"We Can Work It Out" and "Day Tripper" (Beatles single - cover art).jpg
US picture sleeve
Single by The Beatles
A-side "Day Tripper"
Released 3 December 1965
Format 7"
Recorded 20 and 29 October 1965
EMI Studios, London
Genre Folk rock
Length 2:15
Label Parlophone (UK), Capitol (US)
Writer(s) Lennon–McCartney
Producer(s) George Martin
The Beatles UK singles chronology
"Help!"
(1965)
"We Can Work It Out"/
"Day Tripper"
(1965)
"Paperback Writer"
(1966)
The Beatles US singles chronology
"Yesterday"
(1965)
"We Can Work It Out"/
"Day Tripper"
(1965)
"Nowhere Man"
(1966)
Music sample
"Exposition/We Can Work It Out"
Song by Deep Purple from the album The Book of Taliesyn
Released December 1968
Recorded August 1968
Genre Progressive rock, psychedelic rock, hard rock
Length 7:06
Label Harvest Records (UK)
Tetragrammaton (US)
Writer(s) Beethoven, Ritchie Blackmore, Nick Simper, Jon Lord, Ian Paice
Lennon–McCartney
Producer(s) Derek Lawrence
The Book of Taliesyn track listing
"Kentucky Woman"
(3)
"Exposition/We Can Work It Out"
(4)
"Shield"
(5)
"We Can Work It Out"
Wecanworkitout.jpg
Single by Stevie Wonder
from the album Signed, Sealed & Delivered
B-side "Never Dreamed You'd Leave in Summer"
Released March 1971
Genre R&B
Length 3:19
Label Tamla
Writer(s) Lennon–McCartney
Producer(s) Stevie Wonder
Stevie Wonder singles chronology
"Heaven Help Us All"
(1970)
"We Can Work It Out/Never Dreamed You'd Leave in Summer"
(1971)
"If You Really Love Me"
(1971)

"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. The release marked the first time that both tracks on a Beatles single were designated as joint A-sides. The song was recorded during the sessions for the band's Rubber Soul album.

"We Can Work It Out" is a comparatively rare example of a Lennon–McCartney collaboration from this period in the Beatles' career, in that it recalls the level of collaboration the two songwriters had shared when writing the group's hit singles of 1963. This song, "A Day in the Life", "Baby, You're a Rich Man" and "I've Got a Feeling", are among the notable exceptions.

McCartney wrote the words and music to the verses and the chorus, with lyrics that "might have been personal", probably a reference to his relationship with Jane Asher. McCartney then took the song to Lennon:

I took it to John to finish it off, and we wrote the middle together. Which is nice: 'Life is very short. There's no time for fussing and fighting, my friend.' Then it was George Harrison's idea to put the middle into 3/4 time, like a German waltz. That came on the session, it was one of the cases of the arrangement being done on the session.

With its intimations of mortality, Lennon's contribution to the twelve-bar bridge contrasts typically with what Lennon saw as McCartney's cajoling optimism, a contrast also seen in other collaborations by the pair, such as "Getting Better" and "I've Got a Feeling". As Lennon told Playboy in 1980:

In We Can Work It Out, Paul did the first half, I did the middle eight. But you've got Paul writing, 'We can work it out / We can work it out'—real optimistic, y'know, and me, impatient: 'Life is very short, and there's no time / For fussing and fighting, my friend.'


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Wikipedia

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