Vittorio Garatti (born 1927 in Italy) is an Italian architect.
He graduated in architecture in 1957 from the Politecnico di Milano, where Ernesto Nathan Rogers was a major influence. Guido Canella and Gae Aulenti were his classmates.
In that same year, Garatti departed for Venezuela, where he found employment in the Banco Obrero project led by architect Carlos Raúl Villanueva, and began teaching at the University in Caracas. Garatti, like fellow architect and Banco Obrero project mate Roberto Gottardi, had been a young participant in the post-war debate in Italy against Rationalism, a critique that was led by such figures as Ernesto Nathan Rogers, Carlo Scarpa, Mario Ridolfi, Giuseppe Samonà and Bruno Zevi.
Following the victory of the Cuban Revolution, Cuban-born architect (and Banco Obrero participant) Ricardo Porro invited Garatti and Roberto Gottardi to join him in Havana in early 1961. Garatti soon began work with Porro and Gottardi on the ambitious project of Havana's new National Art Schools, commissioned by Fidel Castro and Che Guevara, in the context of the educational policy promoted immediately after the revolution. The architectural complex was to be built in the most exclusive upper-class Cuban district, the Country Club. The intention was to create a cultural center of extraordinary dimension, opened to the developing countries of three continents, just 90 miles from the symbol of American imperialism.