Vincenzo Giustiniani

Vincenzo Giustiniani
Vincenzo Giustiniani in a portrait by Nicolas Régnier (c. 1630)
Born	(1564-09-13)September 13, 1564 Chios
Died	December 27, 1637(1637-12-27) (aged 73) Rome
Occupation	banker, art collector
Years active	1586 - 1637
Known for	art collection

Marchese Vincenzo Giustiniani (13 September 1564 – 27 December 1637) was an aristocratic Italian banker, art collector and intellectual of the late 16th and early 17th centuries, known today largely for the Giustiniani art collection, assembled at the Palazzo Giustiniani, near the Pantheon, in Rome, and at the family palazzo at Bassano by Vincenzo and his brother, Cardinal Benedetto, and for his patronage of the artist Caravaggio.

Vincenzo's father, Giuseppe Giustiniani, had been the last Genoese ruler of the Aegean island of Chios, which had been a family possession for centuries. In 1566 the island was lost to the Ottomans, and Vincenzo and his elder brother Benedetto were taken by their father to Rome, where an uncle was already a cardinal. Giuseppe Giustiniani became a banker, and by his death in 1600 was financier to the Vatican and one of the richest men in Rome.

Vincenzo Giustiniani followed his father into the family business, while Benedetto entered the Church and became a cardinal himself, 16 November 1586. Both brothers were keen art patrons, and the collection they established became one of the most important in its age. On Giustiniani's death - Benedetto died in 1621 - it contained over 300 paintings (15 by Caravaggio) and more than 1200 pieces of sculpture, and the various catalogues constitute an invaluable resource for early 17th-century art. In 1631, the Galleria Giustiniani was published under supervision of Joachim von Sandrart, in the form of a compilation of engravings of the family's gallery of statuary, most notably the Athena Giustiniani, and the Giustiniani Hestia.

Giustiniani followed interests in many other fields, writing essays in architecture, music, and art, as well as on such practical matters as hunting, travel, and horse trading. A friend and neighbour of Caravaggio's first patron, cardinal Francesco Maria Del Monte, he extended his own friendship to the artist, purchasing Saint Matthew and the Angel when it was rejected by church officials for its perceived lack of decorum.