Viipuri Library

Vyborg Library (Finnish: Viipurin kirjasto) is a library in Vyborg, Russia, built during the time of Finnish sovereignty (1918 to 1940-44), before the Finnish city of Viipuri was annexed by the former USSR and its Finnish name was changed to Vyborg by the USSR authorities.

The building, built from 1927 to 1935, is an internationally acclaimed design by the Finnish architect Alvar Aalto and one of the major examples of 1920s functionalist architectural design. The library is considered one of the first manifestations of "regional modernism". It is particularly famous for its wave-shaped ceiling in the auditorium, the shape of which, Aalto argued, was based on acoustic studies. On completion the library was known as Viipuri Library, but after the Second World War and Soviet annexation, the library was renamed the Nadezhda Krupskaya Municipal Library. Nowadays, integrated in the Russian Federation city of Vyborg, the library is officially known as the Central City Alvar Aalto Library.

The library restoration project lasted almost two decades from 1994 until late 2013. The restoration work was awarded with the World Monuments Fund / Knoll Modernism Prize in 2014 and the Europa Nostra Award in 2015.

Aalto received the commission to design the library after winning first prize (with his proposal titled 'WWW') in an architectural competition for the building held in 1927. Aalto's design went through a profound transformation from the original architectural competition proposal designed in the Nordic Classicism style (owing much to Swedish architect Gunnar Asplund, especially his ) to the severely functionalist building, completed eight years later in a purist modernist style. Such architectural solutions as a sunken reading-well, free-flowing ceilings and cylindrical skylights, first tested in Viipuri, would regularly appear in Aalto's works. Aalto differed from the first generation of modernist architects (such as Walter Gropius and Le Corbusier) in his predilection for natural materials: in this design, "wood was first introduced into an otherwise modernist setting of concrete, white stucco, glass, and steel".

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