Uwe Nettelbeck
| Uwe Nettelbeck | |
|---|---|
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Uwe Nettelbeck (at the console on the left) with the original lineup of Faust in the early 1970s.
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| Born |
7 August 1940 Mannheim, Germany |
| Died | 17 January 2007 (aged 66) Bordeaux, France |
| Cause of death | Cancer |
| Nationality | German |
| Occupation | Record producer, Journalist, Film critic, Music critic |
| Known for | Creator and producer of the German krautrock band, Faust |
| Spouse(s) | Petra Nettelbeck (née Krause) |
| Children | Anouchka Nettelbeck, Sandra Nettelbeck |
Uwe Nettelbeck (7 August 1940 – 17 January 2007) was a German record producer, journalist and film critic. He was best known as the creator and producer of the German krautrock band, Faust, and changed the face of German rock music in the early 1970s. He was also one of Germany's leading film critics in the 1960s.
Nettelbeck was married to author, film producer and actress Petra Nettelbeck, and was the father of film director and screenwriter Sandra Nettelbeck.
Uwe Nettelbeck grew up in a middle class family at Lake Constance in south-west Germany. He attended lectures in German literature at the Georg-August University of Göttingen but did not sit for a degree. At the age of 20, Nettelbeck began submitting reviews to Filmkritik, a monthly film magazine, and their quality led to him becoming chief film critic for Die Zeit. In 1962 he met author, film producer and actress, Petra Krause at the Oberhausen film festival; they later married and moved to Lüneburg Heath near Hamburg.
Controversy, however, soon began to dog Nettelbeck's career. In 1968, while on the Oberhausen festival jury, he praised a film his wife had produced, Of Particular Merit which starred a talking penis. The film was subsequently banned. Nettelbeck's left-wing inclination emerged a year later when he published an article in Die Zeit about the trial of Red Army Faction leader Andreas Baader, which earned him a stern warning from the magazine's editor. Nettelbeck left Die Zeit and became a left-wing journalist with connections to several left-wing factions in Germany. He became editor of the underground magazine, konkret, which became the "revolutionary mouthpiece for the likes of Ulrike Meinhof".
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