Professional ratings
Aggregate scores
Source	Rating
Metacritic	(61/100)
Review scores
Source	Rating
Allmusic
Entertainment Weekly	(C+)
NME	(3/10)
Pitchfork	(8.4/10)
Q
Robert Christgau	(A-)
Rolling Stone

Under Rug Swept is the fifth studio album and third internationally released album by Canadian singer-songwriter Alanis Morissette. Released by Maverick Records in the United States on February 26, 2002 and in the United Kingdom a day earlier (see 2002 in music), it was the first album Morissette had written and produced all on her own. It debuted at number one on charts in 12 countries, including the United States and Canada, and produced the singles "Hands Clean" and "Precious Illusions". Sales, however, did not match those of Morissette's previous two studio albums.

Before recording of the album began, when she hadn't written songs or journal entries for nine months, Morissette went to Toronto not knowing whether she was going to write songs herself or with someone else. In the first week of her stay she had written seven songs alone, and she described the writing process as "really fast and accelerated". As on her previous albums, Morissette took a stream-of-consciousness approach to the songwriting. She wrote the music and lyrics at the same time, spending around twenty minutes or less on each song, and recorded the vocals during the writing process, in one or two takes. "I really wanted to make sure that I wrote in the studio so that, while I was writing, I could be singing it at the same time", she said. According to Morissette, she had a "little space station" with a keyboard, an acoustic, an electric, her journal and a microphone set up, and everything was recorded onto DAT. Morissette had not planned to produce an album on her own, saying "It was just a matter of when it would happen organically". She "kept things from becoming overwhelming" by refraining from cross-connecting her producing, songwriting and performing duties.

Production of the album was delayed when Morissette became involved in disputes with executives at Maverick Records after she testified at U.S. Government hearings against artist-unfriendly record contract practices. As she put it, she had to go through lawyers to "have a dialogue with people" and take an extended period of time to "have one little thing figured out". Because she was accustomed to having the producers on her albums act as "the buffer to the outside world" during recording, she found it a challenge to handle the situation on her own. "I was trying to be isolated enough to tap into my artistry while keeping people at bay who don't know fuck all about nurturance", she said. Eventually, it became "too much" for Morissette and she took negotiations into her own hands, which meant she had to halt her work on the album: "I had to be willing to throw the record away and not ever release it."

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