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Ukrainian music


The content of Ukrainian music covers diverse and multiple component elements of the music that is found in the Western and Eastern musical civilization. It also has a very strong indigenous Slavic and Christian uniqueness whose elements were used among many neighboring nations.

Ukraine is also the rarely acknowledged musical heartland of the former Russian Empire, home to its first professional music academy, which opened in the mid-18th century and produced numerous early musicians and composers.

Modern Ukraine is situated north of the Black Sea, previously part of the Soviet Union. Several of its ethnic groups living within Ukraine have their own unique musical traditions and some have developed specific musical traditions in association with the land in which they live.

Ukraine found itself at the crossroads of Asia and Europe and this is reflected within the music in a perplexing mix of exotic melismatic singing with chordal harmony which does not always easily fit the rules of traditional Western European harmony. The most striking general characteristic of authentic ethnic Ukrainian folk music is the wide use of minor modes or keys which incorporate augmented 2nd intervals. This is an indication that the major-minor system developed in Western European music did not become as entrenched or as sophisticated in Ukraine.

Rhythmically the music rarely uses complex time-signatures, but compound meters are encountered, and the music can be extremely complex harmonically.

Harmonically three and even four part harmony had developed and was recorded in the central steppe regions of Ukraine, but was not in popular use in the mountain regions by the late 19th century.

Ukrainian folk song singing style can be divided into a number of broad aesthetic categories.

1. Solo singing – primarily ritual songs including holosinnya sung at wakes.

2. Solo singing with instrumental accompaniment by professional itinerant singers known as kobzari or lirnyky. The highest form of development of this style of singing can be seen in the lyric historical folk epics known as dumy sung to the accompaniment of the bandura, kobza or lira (lirnyk). Dumy were sung primarily in the dorian mode


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