Tron: Legacy | |||||
---|---|---|---|---|---|
Soundtrack album by Daft Punk | |||||
Released | December 3, 2010 | ||||
Recorded | 2008–10 | ||||
Studio | Air Lyndhurst Studios, London | ||||
Genre | |||||
Length | 58:44 | ||||
Label | Walt Disney | ||||
Producer | |||||
Tron music chronology | |||||
|
|||||
Daft Punk chronology | |||||
|
|||||
Singles from Tron: Legacy | |||||
|
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
Metacritic | 71/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | B |
Chicago Tribune | |
Clash | (7/10) |
Entertainment.ie | |
Entertainment Weekly | B |
Los Angeles Times | |
NME | (8/10) |
Pitchfork Media | (5.5/10) |
Rolling Stone | |
Slant Magazine | |
Spin | (7/10) |
Tron: Legacy is the soundtrack album to the 2010 film of the same name, released by Walt Disney Records on December 3, 2010. It is the first film score by French music duo Daft Punk.
Tron: Legacy director Joseph Kosinski and music supervisor Jason Bentley approached Daft Punk and requested that the duo compose the film score. When asked why he wished to work with the duo, Kosinski replied, "How could you not at least go to those guys?" The film producers initially attempted to reach Daft Punk in 2007, but the duo had been unavailable due to their Alive 2006/2007 tour.Thomas Bangalter of Daft Punk had previously produced the soundtrack to Gaspar Noé's 2002 film Irréversible. Noé had asked Bangalter to compose the soundtrack to the film Enter the Void, but Bangalter was working on Tron: Legacy at the time and instead served as sound effects director.
The score of Tron: Legacy features an 85-piece orchestra, recorded at AIR Lyndhurst Studios in London. Kosinski stated that the score is intended to be a mixture of orchestral and electronic music. Daft Punk's score was arranged and orchestrated by Joseph Trapanese, who stated he is a fan of Daft Punk as a duo and as solo artists. The band collaborated with him for two years on the score, from pre-production to completion. The orchestra was conducted by Gavin Greenaway. Trapanese cited the collaboration between the different genres to work out well in the end, stating:
It seems complicated at the end of the day, but it’s actually quite simple. I was locked in a room with robots for almost two years and it was simply a lot of hard work. We were just together working throughout the whole process and there was never a point where the orchestra was not in their minds and the electronics were not in my mind. It was a continual translation between the two worlds and hopefully we put something together that will be something different because of that.