Professional ratings
Aggregate scores
Source	Rating
Metacritic	88/100
Review scores
Source	Rating
AllMusic
The A.V. Club	A−
The Guardian
Los Angeles Times
Mojo
NME	9/10
Pitchfork Media	9.2/10
Q
Rolling Stone
Spin	9/10

To Be Kind is the thirteenth studio album by American experimental band Swans, released on May 12, 2014. It was released as a triple LP, a double CD, and a two-CD deluxe edition that includes a live DVD of performances from Hellfest Open Air Festival, Pitchfork Music Festival and Primavera Sound Festival, as well as a digital download. Critical reception of the album was very positive, continuing a string of well-received albums from the band. The album peaked at number 37 on US Billboard 200, and later debuted at number 38 on the UK Albums Chart. Both are the highest chartings that Swans had ever achieved on a studio album, and it is the first time that the band cracked the top 40 in both countries.

The album was produced by Michael Gira and recorded by John Congleton at Sonic Ranch and at Congleton's studio in Dallas. Swans began rehearsing at Sonic Ranch in October 2013 and began recording soon after; they finished mixing with Congleton in December in Dallas. Most of the music was developed while touring in 2012 and 2013. The album features special guests St. Vincent, Cold Specks, Little Annie and Bill Rieflin. On March 21, the song "A Little God in My Hands" and the album artwork were revealed. Bob Biggs did six images of babies' heads as artwork in c. 1976 that were used for the album.

Upon its release, To Be Kind was widely praised by music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 88, based on 35 reviews, indicating "universal acclaim". Mark Deming of AllMusic gave the album a positive review, stating: "Michael Gira is a man unafraid to follow his muse wherever it may take him, and To Be Kind is another example of his singular vision writ large without compromise." Anna Wilson of Clash praised the album, describing it as "’s jarring classicism, Captain Beefheart's twisted blues, and the industrialism of Einstürzende Neubauten coalescing into a swirling musical miasma." She also stated that the album is "near perfection." Benjamin Bland of Drowned in Sound gave the album a 10/10 score and stated: "A two-hour odyssey of similar proportions to The Seer, this is an album that emphasises rather than establishes Swans' reconfirmed position at the top of the experimental rock tree, but that doesn’t make it any less of a thrill." He also further commented: "Now that this mission has been completed there is space for To Be Kind, and future Swans records to affirm, rather than prove, that Swans are, and perhaps always have been, the greatest rock group on the face of the planet." Writing for Rolling Stone, Kory Grow also compared this album to The Seer as well as the 1996 effort Soundtracks for the Blind, noting how Swans' sound has evolved so that they "don't just crush—they hypnotize".

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