The Seer | ||||
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Studio album by Swans | ||||
Released | August 28, 2012 | |||
Recorded | 2011; Studio P4 (Berlin), Andere Baustelle (Berlin), Marcata Studio (Gardiner, NY), Trout Recording (Brooklyn, NY) | |||
Genre | ||||
Length | 119:13 | |||
Language | English | |||
Label | Young God | |||
Producer | Michael Gira | |||
Swans chronology | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 87/100 |
Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | A |
The Guardian | |
The Independent | |
Mojo | |
The New Zealand Herald | |
NME | 8/10 |
Pitchfork Media | 9.0/10 |
Rolling Stone | |
Spin | 8/10 |
theneedledrop | 8/10 |
The Seer is the twelfth studio album by American experimental rock band Swans and was released on August 28, 2012 by Gira's own record label Young God Records. Producer and frontman Michael Gira funded the recording of the album with the sales of We Rose from Your Bed with the Sun in Our Head.
While the previous studio album My Father Will Guide Me up a Rope to the Sky was seen as a cross between Gira's solo project Angels of Light and late Swans, The Seer strayed away from Angels of Light's more accessible songs and lyricism, focusing more around sonic landscapes. The album features a variety of instrumentation and guest musicians, including the post-punk band Yeah Yeah Yeahs vocalist Karen O and former Swans member Jarboe. The album is noteworthy due to its extended song lengths, particularly its over thirty minute title track, as well as its frequent experimentation with drone and noise elements. The album garnered critical acclaim from mainstream publications and appeared in publications' best of the year album lists.
The album was funded with the sales of the live double album We Rose from Your Bed with the Sun in Our Head as frontman Michael Gira stated that the rise of internet piracy caused a need to fund records in this fashion. He described the album as taking "30 years to make" and is "the culmination of every previous Swans album as well as any other music I've ever made." Describing the songwriting process, Gira said, "The songs began on an acoustic guitar, then were fleshed out with (invaluable) help from my friends, then were further tortured and seduced in the studio, and now they await further cannibalism and force-feeding as we prepare to perform some of them live, at which point they'll mutate further, endlessly, or perhaps be discarded for a while." The songs "93 Ave. B Blues," "The Seer," "The Apostate," and "Avatar" were developed during tours and rehearsals while the rest of the songs were created in the studio. While their previous effort was seen as a continuation of Gira's folk solo project Angels of Light mixed with Swans' original elements, Gira stated that the Seer was more focused as a Swans effort due to touring.