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Tina Modotti

Tina Modotti
Tina Modotti - Edward Weston,.jpg
Tina Modotti photographed by Edward Weston in 1921
Born Assunta Adelaide Luigia Modotti Mondini
August 16 (or 17) 1896
Udine, Italy
Died January 5, 1942 (aged 45)
Mexico City, Mexico
Nationality Italian
Known for Photography

Tina Modotti (August 16 (or 17) 1896 – January 5, 1942) was an Italian photographer, model, actress, and revolutionary political activist for the Comintern.

Modotti was born Assunta Adelaide Luigia Modotti Mondini in Udine, Friuli, Italy. Her mother, Assunta, was a seamstress and her father, Giuseppe, was a mason. In 1913, at the age of 16, she immigrated to the United States to join her father in San Francisco, California.

Attracted to the performing arts supported by the Italian émigré community in the San Francisco Bay Area, Modotti experimented with acting. She appeared in several plays, operas, and silent movies in the late 1910s and early 1920s, and also worked as an artist's model.

In 1917, she met Roubaix "Robo" de l'Abrie Richey. Originally a farm boy from Oregon named Ruby Ritchie, the artist and poet assumed the more bohemian name Roubaix. In 1918, Modotti began a romantic relationship with him and moved with him to Los Angeles in order to pursue a career in the motion picture industry. Although the couple cohabitated and lived as a "married couple", they were not married. Often playing the femme fatale, Modotti's movie career culminated in the 1920 film The Tiger's Coat. She had minor parts in two other films.

The couple entered into a bohemian circle of friends. One of these fellow bohemians was Ricardo Gómez Robelo. Another was the photographer, Edward Weston.

It is supposed that Modotti was introduced to photography as a young girl in Italy, where her uncle, Pietro Modotti, maintained a photography studio. Later in the U.S., her father briefly ran a similar studio in San Francisco. While in Los Angeles, she met the photographer Edward Weston and his creative partner Margrethe Mather. It was through her relationship with Edward Weston that Modotti developed as an important fine art photographer and documentarian. By 1921, Modotti was Weston's lover. Ricardo Gómez Robelo became the head of Mexico's Ministry of Education's Fine Arts Department, and persuaded Robo to come to Mexico with a promise of a job and a studio.


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