The Somberlain
| The Somberlain | ||||
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| Studio album by Dissection | ||||
| Released | 3 December 1993 | |||
| Recorded | March 1 – 6, 1993 | |||
| Studio | Hellspawn and Unisound Studios, Sweden | |||
| Genre | Black metal | |||
| Length | 45:38 | |||
| Label | No Fashion | |||
| Producer | Dissection | |||
| Dissection chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Sputnikmusic | 4.5/5 |
The Somberlain is the debut album by Swedish Black metal band Dissection, released on December 3, 1993. It proved to be a highly influential release for both black metal and melodic death metal. The band dedicated the album to Euronymous, who had been murdered in August the same year. This is the only album that features the band's original lineup. The artwork was created by Kristian 'Necrolord' Wåhlin. The album was composed and arranged between 1989 and 1993, and was recorded between March 1st and 6th of 1993.
According to No Clean Singing, "Dissection made their name by infusing their black metal with a layer of melody which ensured that each song was memorable, together with strong musicianship and compelling lyrics and imagery. By keeping most of their NWOBHM-isms in the minor scale, they maintained a sense of darkness and foreboding over the blasting, thrashing framework of technically-proficient black metal." Kyle Ward of Sputnikmusic argues that "Dissection is known for combining intricate, harmonized guitar leads with the raw force of Black Metal", and that "while each song has its own melodic riffs respectively, there are some where the song is full of these melodic riffs, and vocals just as epic and melodic." He also noted the significant stylistic differences between this album and Dissection's following album, Storm of the Light's Bane. Metal Injection's Atanamar Sunyata wrote that "Dissection drew deeply from Bathory's legacy. Unlike their peers, however, Dissection looked beyond the atonal seethings of Under The Sign of the Black Mark, taking direction from Quorthon's later, more epic leanings. She described the album as "steeped in the sinister miasma of black metal's ethos", while noting that the band "discarded less of metal's traditional tropes than their contemporaries. Classical constructs guide the album’s course and teeming thrash provides its foundation."
The album was reissued in 1997 by Nuclear Blast Records and again in 2004 by Black Lodge. Black Lodge also released a special edition set in 2005 limited to 666 copies, packaged in a wooden box along with a T-shirt and a sticker. The album was re-released most recently in 2006 by The End Records in a two-disc set, containing the original album, an unreleased live recording from 1995, the Into Infinite Obscurity EP from 1991, a demo from 1992, The Grief Prophecy demo from 1990, a rehearsal from 1990, and the Satanized rehearsal from 1990. All content is remastered, packaged in a slipcase, and is touted as the "Ultimate Reissue". The album was remastered from the original tapes by Håkan Åkesson at Cutting Room Studios, .
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