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Storm of the Light's Bane

Storm of the Light's Bane
Dissection stormofthelightsbane.jpg
Studio album by Dissection
Released 17 November 1995
Recorded 17–30 March 1995
Studio Hellspawn/Unisound
Genre Black metal, melodic death metal
Length 43:16
Label Nuclear Blast
Producer Dissection
Dissection chronology
The Somberlain
(1993)
Storm of the Light's Bane
(1995)
Where Dead Angels Lie
(1996)
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars
Sputnikmusic 5/5

Storm of the Light's Bane is the second full-length album by the Swedish black metal band Dissection. The album was released on November 17, 1995 by Nuclear Blast Records. This would be the band's last full-length album before Nödtveidt's 1997 incarceration for the felony murder of Josef ben Meddour. It would not be until 2006 that they would release their third and final album Reinkaos, which was followed by Jon Nödtveidt's suicide and the breakup of the band. As with the band's debut album, Kristian 'Necrolord' Wåhlin created the artwork. The album is widely considered a masterpiece and one of the best black metal albums ever written. It has had significant influence on the development of extreme metal, inspiring many bands such as Watain, whose frontman played bass live with the band during their final shows.

In 1995, Nuclear Blast released a Europe-exclusive special digipak version of the album limited to 500 copies, which upon unfolding formed the shape of a cross with the song's lyrics printed on the sleeves. It was re-released in 2002 as a digipak (catalogue number: NB 646-2), this time with the 1997 EP Where Dead Angels Lie as bonus tracks. The Japanese edition features the bonus track "The Feathers Fell" as track 5, in between "Where Dead Angels Lie" and "Retribution - Storm of the Light's Bane". The album was re-released once again in 2006 by The End Records in a two-disc set, and includes the Where Dead Angels Lie EP, an unreleased EP from 1994 featuring two songs from the album, and an "alternate mix" version of the full album, all remastered from the original master tapes by Håkan Åkesson at Cutting Room Studios, , and packaged in a slipcase. This version is touted as the "Ultimate Reissue".

The album is notable for being one of the earliest and most successful examples of a band combining black metal with the melodic death metal sound that was developing in Gothenburg around the time of this album's release. According to Metal Hammer, "While Sweden's Dissection were very much black metal in terms of ideology and atmosphere, they also featured noticeable elements of the melodic death metal movement exploding in their home country, as well as classic '80s heavy metal." Dave Schalek wrote that "the songs are cold, dark, evil and extreme."OC Weekly have described the album as "extreme and aggressive but also primeval and classically orchestrated with heavy echoes of drums and haunting melodies hidden throughout the darkness."


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