The Malcontent is an early Jacobean stage play written by the dramatist and satirist John Marston ca. 1603. The play was one of Marston's most successful works.
The Malcontent is widely regarded as one of the most significant plays of the English Renaissance; an extensive body of scholarly research and critical commentary has accumulated around it.
The play was first performed by the Children of the Chapel, one of the troupes of boy actors active in the era, in the Blackfriars Theatre. It was later taken over by the King's Men, the adult company for which William Shakespeare worked, and performed at the Globe Theatre. The King's Men's production featured a new induction, written by John Webster, and several new scenes, probably written by Marston himself. These additions may have been necessary because the original play was too short for the King's Men's purposes: plays for the boys' companies tended to involve more musical interludes than those of the adult companies, and so be shorter.
The Induction to this revised version is a metatheatrical one, in which the play's actors and its onstage spectators comment on the drama that is to follow and discuss the "bitterness" of its satire. King's Men actors Richard Burbage, John Lowin, and Henry Condell appear as themselves, while William Sly appears as a young theater-goer and John Sinklo appears as "Doomsday," his cousin. The gallant asks Condell how King's Men came to mount a Blackfriar's play, and Condell answers, "Why not Malevole in folio with us, as Jeronimo in decimosexto with them?" He suggests that the boys (compared to a sextodecimo sheet) had stolen a King's Men's play, possibly a sequel to Thomas Kyd's The Spanish Tragedy, and so they stole Blackfriars's Malcontent for their folio-sized actors.