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Children of the Chapel


The Children of the Chapel were the boys with unbroken voices, choristers, who formed part of the Chapel Royal, the body of singers and priests serving the spiritual needs of their sovereign wherever they were called upon to do so.

Sometime in the 12th century or earlier, a distinct establishment known as the Chapels Royal was created within the English Royal Court and its musical establishment now claims to be the oldest continuous musical organization in the world. Children sang in church because their high voices were considered closest to the angels.

The Choir's, now just ten, boys are traditionally known as the Children of the Chapel Royal, and wear the distinctive State uniform introduced at the Restoration. Their special school within St James's Palace no longer operates; the boys all attend the City of London School and receive a choral scholarship from The Queen. In former times when educated within the court they were very much a part of court life and by ancient tradition were entitled to many small special privileges.

The Choir's duties remain to sing the regular services in the chapel of the Monarch's home and to otherwise attend as commanded. It is based in the two chapels of St James's Palace and services are also sung in the chapels of Kensington and Buckingham Palaces. The Choir also takes part in many State and National ceremonies and at private events within the Royal Household. It consists of six Gentlemen in Ordinary and ten choristers and a Sub-Organist.

The Children of the Chapel (if from the establishment of the Chapels Royal also known as the Children of Her Majesty's Chapel Royal, the Children of the Chapel Royal, the Children of the Queen's Revels, the Children of the Revels) and the Children of the Blackfriars Theatre or Children of the Blackfriars, and finally the Children of the Whitefriars Theatre or Children of the Whitefriars were troupes of child actors in Elizabethan and Jacobean England.

By the accession of James I in 1603, the Chapels Royal was staffed by a dean, a sub-dean, and 32 gentlemen (both priests and laymen); it also had a choir of 12 boys. William Cornysh, who was Master of the Children from 1509 to 1523, first began the practice of having the boys' choir perform dramatic interludes at Court. William Hunnis was Master of the Children of the Chapel from 1566 to 1597; under his stewardship the boys played repeatedly at Court until 1584.


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