The Living and the Dead (White novel)
First edition cover
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| Author | Patrick White |
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| Country | United States |
| Language | English |
| Publisher | Viking |
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Publication date
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June 1941 |
| Media type | Print (Hardback & Paperback) |
| Pages | 383 pp |
The Living and the Dead is a novel by Australian Nobel Prize laureate Patrick White, his second published book (1941). It was written in the early stages of World War II whilst the author alternated between the United Kingdom and the United States.
The Living and the Dead is predominantly set in 1930s London. The Standishes—mother Catherine, son Elyot and daughter Eden—lead disparate lives under the one roof. The relationships between the three remain detached throughout the novel, each privately searching for purpose in a rapidly changing world. Their insignificance is overshadowed by the advance of war, deepening the portrayal of their inner bleakness.
As is typical of White's work, The Living and the Dead is more significant in its character penetration than the complexity of its plot.
The Living and the Dead opens in London's Victoria Station. Elyot Standish bids farewell to his younger sister Eden in a manner that is not particularly emotional or final. Elyot returns to an empty house, somberly observing the memories that remain amongst its silent possessions.
Chapter 2 takes the reader several decades earlier, where a young Kitty Goose begins to find her way through England's upper classes. Catherine marries Willy Standish and bears him two children, but separates some years afterwards due to Willy's infidelity. Catherine's children, Elyot and Eden, are raised by her maid Julia and, during World War I, by surrogate guardians.
Following the war, Catherine, living on the dwindling remnants of pre-war affluence, struggles to relate to her children. Elyot, a Cambridge graduate and professional writer, isolates himself in intellectual pursuits. Eden, a bookshop attendant, is influenced by left-wing politics.
As the Spanish Civil War rises in the conscience of British society, the Standishes are forced to face their inner dissatisfactions. This is brought into focus by the failures of their sexual relationships. Catherine, who finds herself irrelevant in a much-changed world, pursues a romance with the younger Wally Collins, an American musician. The relationship is severed when Wally loses interest in Catherine, who spills her emotions whilst drunk at a fashionable party. Elyot, whether with family or with women, never allows himself a relationship of any depth. He distances himself from both Muriel Raphael, an artistic socialite, and Connie Tiarks, an unattractive but devoted childhood friend. The two are complete opposites, yet neither satisfies the purposeless Elyot.
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