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The (International) Noise Conspiracy

The (International) Noise Conspiracy
The (International) Noice Conspiracy, Sonisphere 2009.jpg
Background information
Origin Umeå, Sweden
Genres Indie rock, garage rock, punk rock, garage punk
Years active 1998–2009
Labels G7 Welcoming Committee, Burning Heart, Your Choice, American Recordings
Associated acts AC4, Doughnuts, Lost Patrol Band, 93 Million Miles, Female Anchor of Sade, Invasionen, Knugen Faller, Refused, Saidiwas, Separation
Website www.internationalnoise.com
Past members Dennis Lyxzén
Inge Johansson
Lars Strömberg
Ludwig Dahlberg
Sara Almgren

The (International) Noise Conspiracy (abbreviated T(I)NC) were a Swedish rock band formed in Sweden in the late months of 1998. The line-up consists of Dennis Lyxzén (vocals), Inge Johansson (bass), Lars Strömberg (guitar), and Ludwig Dahlberg (drums). The band is known for its punk and garage rock musical influences, and its impassioned left-wing political stance. Up until 2004, guitarist/organist/keyboardist Sara Almgren was also a member of the band. Dennis formed The (I)NC almost immediately after the breakup of his former band, Refused. The (I)nc takes pride in blending the roots of at least four other bands, including Totalt Jävla Mörker (Johansson), Separation (Strömberg), Saidiwas (Dahlberg and Almgren), and Doughnuts (Almgren). In 2007, Inge Johansson also played in the band The Most.

Influenced by a quote from 1960's folk singer Phil Ochs, according to lead singer Lyxzén, the band wanted to achieve an ideal blend of music and politics that was, "a cross between Elvis Presley and Che Guevara." Furthermore, according to the liner notes of their debut album, The First Conspiracy, the band wanted to combat music's function as Spectacle. This is a concept taken from Guy Debord's work The Society of the Spectacle.

In 1999 the band recorded their debut The First Conspiracy with G7 Welcoming Committee Records. Although hardly a commercial success, the album led to the band's recognition by the punk label Burning Heart Records (though the same label already had released records of some of the band members' older bands), and in 2000 they released the album Survival Sickness. Considered one of the finest examples of situationist-influenced punk rock, Survival Sickness saw the band pushing their revolutionary ideology with scathing lyrics and an infectious rhythm. Many of the lyrics are taken directly from the writings of members of the Situationist International especially Raoul Vaneigem's The Revolution of Everyday Life.


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