Tewfik El-Hakim
| Tawfīq el-Hakīm | |
|---|---|
| Born |
October 9, 1898 Alexandria, Egypt |
| Died | July 26, 1987 (aged 88) Cairo, Egypt |
| Occupation | Novelist, Playwright |
| Nationality | Egypt |
| Notable works | The People of the Cave |
Tawfiq al-Hakim or Tawfik el-Hakim (October 9, 1898 – July 26, 1987) (Arabic: توفيق الحكيم Tawfīq al-Ḥakīm) was a prominent Egyptian writer. He is one of the pioneers of the Arabic novel and drama. He was born in Alexandria, Egypt, the son of an Egyptian wealthy judge and a Turkish mother. The triumphs and failures that are represented by the reception of his enormous output of plays are emblematic of the issues that have confronted the Egyptian drama genre as it has endeavored to adapt its complex modes of communication to Egyptian society.
Tawfiq Ismail al-Hakim was born October 9, 1898, in Alexandria to an Egyptian father and Turkish mother. His father, a wealthy civil officer, worked as a judge in the judiciary in the village of al-Delnegat, in central Beheira province. His mother was the daughter of a retired Turkish officer. Tawfiq al-Hakim enrolled at the Damanhour primary school at the age of seven. He left primary school in 1915 and his father put him in a public school in the Beheira province, where Tawfiq al-Hakim finished secondary school. However, due to the lack of proper secondary schooling in the province, Tawfiq al-Hakim moved to Cairo with his uncles to continue his studies at Muhammad Ali secondary school.
After studying in Cairo, he moved to Paris, where he graduated in law and began preparing a PhD thesis at the Sorbonne. However, his attention turned increasingly to the Paris theatres and the Opera and, after three years in Paris, he abandoned his studies and returned to Egypt in 1928, full of ideas for transforming Egyptian theatre.
The cause of 'serious' drama, at least in its textual form, was in the process of being given a boost by one of the Egypt's greatest littérateurs, Ahmed Shawqi, "Prince of Poets," who during his latter years penned a number of verse dramas with themes culled from Egyptian and Islamic history; these included Masraa' Kliyubatra (The Death of Cleopatra, 1929), Magnun Layla (Driven mad by Layla, 1931), Amirat el-Andalus (The Andalusian Princess, 1932), and Ali Bey el-Kebir (an 18th-century ruler of Egypt), a play originally written in 1893 and later revised. However, between the popular traditions of farcical comedy and melodrama and the performance of translated versions of European dramatic masterpieces, there still remained a void within which an indigenous tradition of serious drama could develop.
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