Teatro Real de Madrid
| Teatro Real de Madrid | |
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| Location | Madrid, Spain |
| Area | Plaza Isabel II, s/n |
| Built | 1818–1850 |
| Rebuilt | 1991–1997 Jaime González Varcárcel Miguel Verdú Belmonte Francisco R. Partearroyo |
| Architect | Antonio López Aguado Custodio Moreno |
| Official name: Teatro Real de Madrid | |
| Type | Non-movable |
| Criteria | Monument |
| Designated | 1993 |
| Reference no. | RI-51-0008289 |
 Location of Teatro Real de Madrid in Spain
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Teatro Real (Royal Theatre) or simply El Real, as it is known colloquially, is a major opera house located in Madrid, Spain. Founded in 1818 and inaugurated on 19 November 1850, it closed in 1925 and reopened in 1997 with a capacity of 1,746 seats. Today, the Teatro Real opera is one of the great theaters of Europe and its seasons are home productions involving leading figures of the international singing, musical direction, stage direction and dance. The theater also offers guided tours in several languages, including the auditorium, stage, workshops and rehearsal rooms.
Founded by King Ferdinand VII in 1818, and after thirty-two years of planning and construction, a Royal Order on 7 May 1850 decreed the immediate completion of the "Teatro de Oriente" and the building works were finished within five months. The Opera House, located just in front of the Palacio Real, the official residence of the Queen who ordered the construction of the theatre, Isabel II, was finally inaugurated on 19 November 1850, with Donizetti's La Favorite. In 1863, Giuseppe Verdi visited the theatre for the Spanish premiere of his La Forza del Destino. In 1925, the Ballets Russes of Diaghilev performed in the theatre with the presence of Nijinsky and Stravinsky).
From 1867 it housed the Madrid Royal Conservatory until 1925 when a Royal Order of 6 December called for eviction owing to the damage that the construction of the Metro de Madrid had caused to the building. Despite its closure, the government always contemplated the possibility of restoring it, ordering numerous projects, such as the architect Urdanpilleta Flórez, who raised a pharaonic remodeling of the building. However, financial difficulties prevented the completion of these projects and led to a simple restoration, sponsored by the Juan March Institute, and carried out first by the architect Manuel Gonzalez Valcárcel, and later by architects Miguel Verdú Belmonte and Francisco Rodriguez Partearroyo.
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