Bélé | |
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Stylistic origins | West Africa |
Cultural origins | Late 17th century, Martinique Haiti and Dominica |
Typical instruments | Tanbou bélé (also called tambour bélé or bélé drum), chakchak (maracas), the tingting (triangle), and tibwa (little wood) as in Martinique. |
Fusion genres | |
Biguine, chouval bwa, Kompa, zouk, bouyon, twoubadou | |
Other topics | |
Music of Martinique - Music of Haiti - Music of Dominica - Music of Saint Lucia |
Music of Martinique | |
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General topics | |
Related articles | |
Genres | |
Nationalistic and patriotic songs | |
National anthem | La Marseillaise |
Regional music | |
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Music of Dominica | |
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General topics | |
Related articles | |
Genres | |
Media and performance | |
Music festivals |
Carnival World Creole Music Festival |
Nationalistic and patriotic songs | |
National anthem | Isle of Beauty, Isle of Splendour |
Regional music | |
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A bélé is a folk dance and music from Martinique, Dominica, Haiti, and Guadeloupe. It may be the oldest Creole dance of the creole French West Indian Islands, and it strongly reflects influences from African fertility dances. It is performed most commonly during full moon evenings, or sometimes during funeral wakes (Antillean Creole: lavèyé). The dance is also popular in Saint Lucia. In Trinidad, it is thought to have been performed by women at social events in the planters' great houses, and the dress and dance style copied by the slaves who worked in or around these houses [1].
The term bélé also refers to a kind of drum found on Haiti, Dominica, Martinique and Saint Lucia.
The bélé dance formed from a combination of traditional African moves and a Caribbean traits due to the changed landscape, musical instruments, and tumultuous lifestyle.
In Africa, the bélé dance had origins in festivals associated with mating and fertility. A male and female (in Creole, the "Cavalier" and the "Dam") show off their dance skills to the other dancer, hinting at their sexuality in chants led by a "chantuelle" meaning singer and the refrain or "lavway" given by a chorus of spectators. The cavalier and dam take turns dancing. The cavalier first demonstrates his prowess, then the dam reacts. The cavalier again courts with the dam, and the both dance in the wildest part of the bélé.
In the West Indies, the dance incorporated into work and periods of festivity and lamenting. Because the bélé dance ranged through so many diverse events and life-events, the dance and music continued to evolve over time from slavery into freedom. The French named the dance "Belaire," or good air, which shortened to bélé.