Spiderland | ||||
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Studio album by Slint | ||||
Released | March 27, 1991 | |||
Recorded | August–October 1990 at River North Records in Chicago, Illinois, United States | |||
Genre | Post-rock, math rock, post-hardcore | |||
Length | 39:38 | |||
Label | Touch and Go | |||
Producer | Brian Paulson | |||
Slint chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
The A.V. Club | A |
Christgau's Consumer Guide | C+ |
Encyclopedia of Popular Music | |
Mojo | |
Pitchfork | 10/10 |
Q | |
Record Collector | |
The Rolling Stone Album Guide | |
Select | 4/5 |
Spiderland is the second and final studio album by the American rock band Slint. It was released on March 27, 1991, through Touch and Go Records. Featuring dramatically alternating dynamics and vocals ranging from spoken word to shouting, the album contains narrative lyrics that emphasize alienation. Spiderland was Slint's first release on Touch and Go, and the group's only album to feature Todd Brashear.
Although Spiderland was not widely recognized on its initial release, it eventually sold more than 50,000 copies and became a landmark album in underground music after Slint broke up. The album has been highly influential on the styles of many bands in the post-rock and math rock genres, including Mogwai and Godspeed You! Black Emperor, and has been named a favorite of several indie rock musicians. In 2007, Slint reunited for a tour consisting of performances of Spiderland in its entirety.
Slint formed in 1987 in Louisville, Kentucky, from the remnants of the punk rock band Squirrel Bait; the founding members included Brian McMahan (guitar, vocals), David Pajo (guitar), Britt Walford (drums) and Ethan Buckler (bass guitar). The band's debut album, the Steve Albini-produced Tweez, was released on the group's self-owned label Jennifer Hartman Records and Tapes. The album's sound has been described as a combination of "scratchy guitars, thumping bass lines and hard hitting drums". Buckler promptly left the band out of dissatisfaction with Albini's production, and was replaced with Todd Brashear. The band's second recording was for the instrumental extended play Slint, which included a new version of "Rhoda" from Tweez. The EP, which would not be released until 1994, was a departure from Tweez's sound and reflected the band's new musical direction.