Soyombo script
| Soyombo script |
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|---|---|
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| Type | |
| Languages | Mongolian, Tibetan, Sanskrit |
| Creator | Zanabazar, 1686 |
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Time period
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17th century–18th century |
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Parent systems
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Egyptian hieroglyphs
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| Direction | Left-to-right |
| ISO 15924 | Soyo, 329 |
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[a] The Semitic origin of the Brahmic scripts is not universally agreed upon.
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The Soyombo alphabet (Mongolian: Соёмбо бичиг, Soyombo biçig) is an abugida developed by the monk and scholar Zanabazar in 1686 to write Mongolian. It can also be used to write Tibetan and Sanskrit.
A special character of the script, the Soyombo symbol, became a national symbol of Mongolia, and has appeared on the national flag since 1921, and on the Emblem of Mongolia since 1960, as well as money, stamps, etc.
The Soyombo script was created as the fourth Mongolian script, only 38 years after the invention of the Clear script. The name of the script alludes to this story. It is derived from the Sanskrit word Svayambhu "self-created".
The syllabic system in fact appears to be based on Devanagari, while the base shape of the letters is derived from the Ranjana alphabet. Details of individual characters resemble traditional Mongolian alphabets and the Old Turkic alphabet.
It is unclear whether Zanabazar designed the Soyombo symbol himself or if it had existed beforehand.
The eastern Mongols used the script primarily as a ceremonial and decorative script. Zanabazar had created it for the translation of Buddhist texts from Sanskrit or Tibetan, and both he and his students used it extensively for that purpose.
As it was much too complicated to be adopted as an everyday script, its use is practically nonexistent today. Aside from historical texts, it can usually be found in temple inscriptions. It also has some relevance to linguistic research, because it reflects certain developments in the Mongolian language, such as that of long vowels.
The Soyombo script was the first Mongolian script to be written horizontally from left to right, in contrast to earlier scripts that had been written vertically. As in the Tibetan and Devanagari scripts, the signs are suspended below a horizontal line, giving each line of text a visible "backbone".
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Wikipedia