Song cycles | |
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by Graham Waterhouse | |
The composer in 2011
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Period | contemporary |
Sechs späteste Lieder | |
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Based on | Poems by Hölderlin |
Performed | 11 April 2010 |
Movements | 7 |
Scoring |
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Graham Waterhouse, cellist and composer especially of chamber music, has written a number of song cycles. As a cellist, he has used string instruments or a Pierrot ensemble instead of the typical piano to accompany a singer. In 2003 he composed a first cycle of songs based on late poems by Friedrich Hölderlin. In 2016, he set nursery rhymes, excerpts from James Joyce, and texts by Shakespeare. In 2017, he wrote settings of poems by Irish female writers.
The following table contains for every song cycle the title with translation, the year of composition, the text source and its language(s), voice type (soprano, mezzo-soprano, tenor) and instrument or ensemble, and the number of movements. When ensemble is mentioned, it is always the Pierrot ensemble which Arnold Schönberg introduced in his Pierrot Lunaire of 1912: flute, clarinet, violin, cello, piano and percussion.
The cycle, composed in 2003, sets six of the late poems by Hölderlin for mezzo-soprano voice and cello in seven movements, with a prelude by the cello, and the final poem spoken as a melodrama:
It was performed and live recorded at the Gasteig in Munich by Martina Koppelstetter and the composer on 11 April 2010, in a composer's portrait concert, along with chamber music, early songs and the premiere of the setting of the poem Im Gebirg (On the Mountains) by Hans Krieger, scored for mezzo-soprano, alto flute and piano.