"Song Beneath the Song" | |
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Grey's Anatomy episode | |
Episode no. | Season 7 Episode 18 |
Directed by | Tony Phelan |
Written by | Shonda Rhimes |
Featured music | "Cosy in the Rocket" "Chasing Cars" "Breathe (2 AM)" "How We Operate" "Wait" "Running on Sunshine" "Universe & U" "Grace" "How to Save a Life" "The Story" |
Original air date | March 31, 2011 |
Running time | 43 minutes |
Guest appearance(s) | |
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Grey's Anatomy: The Music Event | |
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Soundtrack album by Grey's Anatomy Cast | |
Released | March 31, 2011 |
Recorded | February 2011 |
Length | 35:48 |
"Song Beneath the Song" also known as Grey's Anatomy: The Music Event, is the eighteenth episode of the seventh season of the American television medical drama Grey's Anatomy, and the one-hundred forty-fourth episode overall. It was named after a song by American singer Maria Taylor. Written by series creator Shonda Rhimes and directed by Tony Phelan, it premiered on ABC in the United States on March 31, 2011. It is the series's first musical episode, and features the cast performing songs previously featured within the program. It is accompanied by a soundtrack album, titled Grey's Anatomy: The Music Event, also released on March 31, 2011.
The episode revolves around Callie Torres (Sara Ramirez) and Arizona Robbins (Jessica Capshaw), just after they are involved in a vehicular collision. Various songs are performed by the cast members, as they attempt to save the life of Torres. Rhimes originally idealized the episode at the conception of the drama, while the show remained untitled. The episode opened to mixed reviews from television critics, and it was the second most watched program of the night. "Song Beneath the Song" was ranked in several "best and worst" lists, and the soundtrack was included on the Billboard 200.
En route to a weekend getaway, surgeons Arizona Robbins (Jessica Capshaw) and Callie Torres (Sara Ramirez) are involved in a vehicular collision, moments after Robbins proposes marriage. Torres suffers severe injuries, which endanger both her life and the life of her unborn child. She and Robbins are taken to Seattle Grace Mercy West Hospital, the institute at which they both work. Their colleagues attempt to save Torres, while Robbins and Mark Sloan (Eric Dane), the father of Torres's baby, stand by. Torres's many injuries include neurological trauma. While barely conscious, she hallucinates an uninjured version of herself standing beside her. The hallucinatory Torres begins to sing, and is gradually joined by the doctors treating her. This singing continues throughout the episode, as Torres's projection of herself attempts to reach out to Robbins.