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Slave to the Rhythm (album)

Slave to the Rhythm
Slave to the Rhythm.png
Studio album by Grace Jones
Released 28 October 1985
Recorded 1985
Genre
Length 43:09 (full version)
37:42 (abridged version)
Label Island Records
Producer Trevor Horn
Grace Jones chronology
Living My Life
(1982)
Slave to the Rhythm
(1985)
Island Life
(1985)
Singles from Slave to the Rhythm
  1. "Slave to the Rhythm"
    Released: October 1985
  2. "Jones the Rhythm"
    Released: December 1985
Professional ratings
Review scores
Source Rating
Allmusic 4.5/5 stars

Slave to the Rhythm is the seventh studio album by Grace Jones, released on 28 October 1985 by Island Records. Subtitled a biography in the liner notes, Slave to the Rhythm is a concept album, produced by ZTT Records founder and producer Trevor Horn, that went on to become one of Jones' most commercially successful albums and spawned her biggest hit, "Slave to the Rhythm".

After finishing sessions at Compass Point for her Living My Life album in late 1982, Jones took a break from recording music and focused on an acting career. Within two years, she made her debut as an actress in the 1984 film Conan the Destroyer where she played alongside Arnold Schwarzenegger. She later gained even more notoriety in 1985 in the James Bond film A View to a Kill where she played the villain May Day. After finishing filming in late 1984 she returned to the studio to work on a follow up, ending an almost three-year-long hiatus.

Slave to the Rhythm, both song and album, was written by Bruce Woolley, Simon Darlow, Stephen Lipson and Trevor Horn and was produced by Trevor Horn, who was assisted by Lipson. Unlike most albums that feature a collection of different songs, Slave to the Rhythm was a concept album that featured several, radical interpretations of one title track. The project was originally intended for Frankie Goes to Hollywood as a follow-up to their hit "Relax", but was finally given to Jones. The recording process featured Horn, Lipson and Jones creating a new version of the song every week or so, ballooning the budget for a single song to nearly $385,000 USD. As such, several versions were collected and released as the album proper.


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