Go-go | |
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Stylistic origins | |
Cultural origins | Early 1970s; Washington, D.C., United States |
Typical instruments | |
Regional scenes | |
Other topics | |
Go-go is a popular music subgenre associated with funk that originated in the Washington, D.C., area during the mid-60s to late-70s. It remains primarily popular in the Washington metropolitan area as a uniquely regional music style. A great number of bands contributed to the early evolution of the genre, but the Young Senators, Black Heat, and singer-guitarist Chuck Brown & the Soul Searchers are credited with having developed most of the hallmarks of the style.
Inspired by artists such as the groups mentioned above, go-go is a blend of funk, rhythm and blues, and old school hip-hop, with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response. Go-go rhythms are also incorporated into street percussion.
In technical terms, "Go-go's essential beat is characterized by a syncopated, dotted rhythm that consists of a series of quarter- and eighth notes (quarter, eighth, quarter, (space/held briefly), quarter, eighth, quarter) which is underscored prominently by the bass drum and snare drum, and the hi-hat... [and] is ornamented by the other percussion instruments, especially by the conga drums, timbales, and hand-held cowbells."
Unique to go-go is an instrumentation with 3 standard Congas and 2 "Junior Congas", 8" and 9" wide and about half as tall as the standard Congas, a size rare outside of go-go. They were introduced to Rare Essence by Tyrone "Jungle Boogie" Williams in the early days when they couldn't afford full sized Congas, and are ubiquitous ever since. A swing rhythm is often implied (if not explicitly stated).