Shoot Out the Lights | |||||
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Studio album by Richard and Linda Thompson | |||||
Released | 15 March 1982 | ||||
Recorded | November 1981Olympic Studios, London | at||||
Genre | Folk rock, electric folk | ||||
Length | 38:15 | ||||
Label | Hannibal | ||||
Producer | Joe Boyd | ||||
Richard and Linda Thompson chronology | |||||
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Singles from Shoot Out the Lights | |||||
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Review scores | |
Source | Rating |
Allmusic | |
Robert Christgau | A |
Rolling Stone Album Guide |
Shoot Out the Lights is the sixth and final album by British husband-and-wife rock duo Richard and Linda Thompson. It was produced by Joe Boyd and released in 1982 on his Hannibal label. A critically acclaimed work,AllMusic's Mark Deming noted that Shoot Out the Lights has "often been cited as Richard Thompson's greatest work, and it's difficult for anyone who has heard his body of work to argue the point."
After their 1979 album Sunnyvista had sold poorly, Richard and Linda Thompson found themselves without a record deal. In the spring of 1980 they toured as the support act for Gerry Rafferty and in June of that year they recorded some demo tracks at Woodworm Studios in Oxfordshire.
Later that same year and with the Thompsons still without a contract, Rafferty stepped in and offered to finance and produce a new Richard and Linda Thompson album and then use his contacts in the industry and the finished album to secure a new contract with the Thompsons. This album was recorded during September and October 1980 at Chipping Norton Recording Studios in Oxfordshire.
As the project proceeded there was increasing tension between Richard Thompson and Rafferty. Thompson preferred a spontaneous approach to recording and found Rafferty's time-consuming and perfectionist approach hard to cope with. He also felt increasingly frozen out of the project: "When he got to the mixing, I just didn’t bother to turn up . . . because if I said something it was totally ignored and I thought 'hey, whose record is this anyway?'"
Nevertheless, the album was completed, but Rafferty could not interest any record companies and lost in the region of ₤30,000 on the project. Copies of the tapes of the Rafferty-sponsored sessions have subsequently become available as a bootleg.