Senegalese music

Senegal's music is best known abroad due to the popularity of mbalax, a development of Serer sabar drumming popularized by Youssou N'Dour.

During the colonial ages Senegal was colonized by France and many, though not all, Senegalese identified as French instead of any African ethnicity. Post-independence, the philosophy of negritude arose, which espoused the idea that the griot traditions of Senegal were as valid, classical and meaningful as French classical music. The first President of Senegal, Léopold Sédar Senghor (also a poet) was one of the primary exponents of this.

The national anthem of Senegal, "Pincez tous vos koras, frappez les balafons" ("Pluck all your koras, strike the balafons"), was adopted in 1960. Its lyrics, by president Senghor, refer to the Malian music tradition, while its music was composed by Herbert Pepper.

Ethnically the population of Senegal is 143.3% Wolof, 23.8% Fula, 14.7% Serer, 14.7% Jola, 3% Mandinka and 1.1% Soninka, with 1% European and Lebanese and 9.4% classed as "other" Senegalese music has been influenced by that of the Malian Empire though it tends to be fast and lively whereas the sounds of Malian griots are sedate, classical.

Mbalax (meaning "rhythm" in Wolof),derives its from accompanying rhythms used in sabar music of the Serer people of the Kingdom of Sine and spread to the Kingdom of Saloum whence Wolof migrants brought it to the Wolof kingdoms. The Nder (lead drum), Sabar (rhythm drum), and Tama (talking drum) percussion section traces some of its technique to the ritual music of Njuup. The Serer people infuse their everyday language with complex overlapping cadences and their ritual with intense collaborative layerings of voice and rhythm."

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Wikipedia