Santa Marian Kamalen

Our Lady of Camarin Santa Marian Kamalen, Maga Haga
The venerated image enshrined at the Minor Basilica of Most Sweet Name of Mary
Queen and Patroness of Guam
Venerated in	Roman Catholic Church
Major shrine	Cathedral-Basilica of the Most Sweet Name of Mary
Feast	December 8, Feast of the Immaculate Conception
Attributes	The Blessed Virgin Mary on crescent moon
Patronage	Guam and Guamanian people, Mariana Islands

Santa Marian Kamalen also known as Our Lady of Camarin and informally known as Maga Haga (English: Great Lady) is a title of the Blessed Virgin Mary associated with a carved wood and ivory image venerated by the Roman Catholic faithful in Guam as their Patroness.

The image is known to have escaped the Japanese war on bombing of Guam on 8 December 1941, the Feast of the Immaculate Conception. It is permanently enshrined at the Minor Basilica of the Most Sweet Name of Mary.

Pious legends claim that the image is brought by Spaniards through the Galleon ship Nuestra Senora del Pilar de Zaragoza y Santiago which was shipwrecked on 2 June 1690 at the Cocos island of Guam. The image is thought to have adorned the ship by its sailors. Popular tales recount that a fisherman found the statue in the shore accompanied by crabs with votive candles, later interpreted as miraculous by the natives in the area.

The image gained the title of Kamalen, literally Barracks due to the image being stored in the infantry side after the original image was found by the fisherman.

The image measures approximately 28 inches and weighs 48 pounds. The image is composed of polychromed Molave wood and ivory head and hands and wears a human wig hair. Caretakers of the image rescued the statue on 8 December 1941 at the beginning of the Japanese war, when the image was hidden for safekeeping. The image was enshrined at the shrine again on 8 December 1945 on the Feast of the Immaculate Conception.

The image was taken to the Philippines where it was professionally restored in 1948 by renowned Filipino Santero artist Maximo Vicente, who also restored the Black Nazarene of Quiapo.