Santa Felicita

Church of Saint Felicity of Florence (Chiesa di Santa Felicita)
West front of Santa Felicita behind Vasari Corridor.
Basic information
Location	Florence, Italy
Geographic coordinates	Coordinates: 43°46′0.60″N 11°15′9.49″E / 43.7668333°N 11.2526361°E / 43.7668333; 11.2526361
Affiliation	Roman Catholic
Province	Florence
Country	Italy
Architectural description
Architect(s)	Ferdinando Ruggieri
Architectural type	Church
Groundbreaking	1736
Completed	1739

Santa Felicita (Church of St Felicity) is a Roman Catholic church in Florence, region of Tuscany, Italy, probably the oldest in the city after San Lorenzo. In the 2nd century, Syrian Greek merchants settled in the area south of the Arno and are thought to have brought Christianity to the region. The first church on the site was probably built in the late 4th century or early 5th century and was dedicated to Saint Felicity of Rome. A new church was built in the 11th century and the current church largely dates from 1736–1739, under design by Ferdinando Ruggieri, who turned it into a one nave edifice. The monastery was suppressed under the Napoleonic occupation of 1808-1810.

The Vasari Corridor passes through the façade of this church and on the inside there is large window, covered by a thick gate, where the Grand Dukes of the Medici family used to listen to the mass without being seen by the people staying at ground level.

In the piazza in front of the façade, stands the rebuilt 15th-century Column of Santa Felicita. Only the 14th century Chapter House survives from the Romanesque with fragmentary frescoes (1387) by Niccolò di Pietro Gerini (Crucifixion and in the ceiling, roundels with the Redeemer and the Seven Virtues).

The Brunelleschian sacristy dates from 1473 and was under the patronage of the Canigiani family. There are the 14th century Madonna with Child and Saints by Taddeo Gaddi, the 15th century Adoration of the Magi by Francesco d'Antonio and St. Felicity with Her Seven Sons by Neri di Bicci.

The Barbadori (or Capponi) chapel dates also to the 15th century (1419-1423); it was designed by Filippo Brunelleschi and when the patronage passed to Lodovico di Gino Capponi the decoration was entrusted to Pontormo, who worked on it from 1525 until 1528. The painting of the vault has disappeared but in the chapel can still be seen the Four Evangelists in the pendentives and two of the greatest masterpieces by Pontormo: the Virgin and the Angel Gabriel on the side wall and the altarpiece of the Deposition above the end altar. The latter, enclosed in its beautiful gilded fame, with its surrealistic dimensions of elongated and entangled bodies and its range of iridescent colours, constitutes one of the most important works of Early Mannerism. The stained glass window depicting the Journey to the Sepulchre is a copy of the one done by Guglielmo da Marcillat in 1526.