San Martino Maggiore
| Church of San Martino | |
|---|---|
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| Basic information | |
| Location | Bologna, Italy |
| Affiliation | Roman Catholic |
| Province | Bologna |
| Country | Italy |
| Architectural description | |
| Architectural type | Church |
| Architectural style | Renaissance |
| Groundbreaking | 15th century |
San Martino church, also called San Martino Maggiore is a Gothic-style, Roman Catholic church located at the corner of Via Marsala and Via Guglielmo Oberdan in Bologna, region of Emilia Romagna, Italy. The church was founded in association with an adjacent Carmelite Monastery.
A church at the site was built in 1217; the brick tracery vaults of the ceiling were added in 1457. The present facade was added in 1879, in an Gothic style, and displays statues of various saints. Atop a pillar in the piazza just in front of the church is a statue of the Madonna and Child with a Scapular (1705) by Andrea Ferreri. In the lunette above the side entrance portal is a bas-relief of St Martin on horseback giving half his robe to a Beggar (1531) by Francesco Manzini; the portal has a classical decoration with bucranium (cow skulls).
Along the right hand nave is this first chapel is a painting of the Adoration by the Magi (1532) by Girolamo da Carpi. The next one shows Carmelite Saints (mid-17th century) by Cesare Gennari. Along the right hand of the nave, on a stone column, are 15th-century frescoes depicting St Anthony, Onofrius, and Elias by Lippo Dalmasio .
Vitale da Bologna’s Crucifixion was completed in the 15th century for this church. The main altarpiece is an Enthroned Madonna with Saints (1548) by Girolamo da Sermoneta.
The first chapel on the left is decorated with an Assumption of the Virgin (1506) by Lorenzo Costa. The statue of Santa Maria Maddalena de Pazzi was named after the ancient and noble family of Pazzi who originally came from Florence. The statue was transferred to the church from the Carmelite monastery of Santa Maria in Florence.
On the left, is a chapel dedicated to the Madonna del Carmine. The sculptural decoration was completed by Alfonso Torreggiani in 1756. Vittorio Bigari, Guglielmo Borgognone, Alessandro Tiarini and Giacomo Sementi also worked on the decoration.
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