Roots-rock
| Roots rock | |
|---|---|
| Stylistic origins | |
| Cultural origins | 1960s, United States |
| Typical instruments | |
| Subgenres | |
| Fusion genres | |
| Other topics | |
Roots rock is rock music that looks back to rock's origins in folk, blues and country music. It is particularly associated with the creation of hybrid subgenres from the later 1960s including country rock and Southern rock, which have been seen as responses to the perceived excesses of dominant psychedelic and developing progressive rock. Because roots music (Americana) is often used to mean folk and world musical forms, roots rock is sometimes used in a broad sense to describe any rock music that incorporates elements of this music. In the 1980s, roots rock enjoyed a revival in response to trends in punk rock, new wave and heavy metal music.
In 1966, as many rock artists moved towards expansive and experimental psychedelia, Bob Dylan spearheaded the back-to-basics roots revival when he went to Nashville to record the album Blonde on Blonde, using notable local musicians like Charlie McCoy. This, and the subsequent more clearly country-influenced albums, John Wesley Harding (1967) and Nashville Skyline (1969), have been seen as creating the genre of country folk, a route pursued by a number of, largely acoustic, folk musicians. Other acts that followed the back to basics trend in different ways were the Canadian/American group The Band and the California-based Creedence Clearwater Revival, both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like Ry Cooder, Bonnie Raitt and Lowell George. The back to basics tendency would also be evident in the Rolling Stones' Beggars Banquet (1968) and Exile on Main Street (1972), the Beatles' The White Album (1968) and Let It Be (1970).,The Doors' Morrison Hotel (1970) and L.A. Woman (1971), as well as the Grateful Dead's Workingman's Dead
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