Nashville Skyline
| Nashville Skyline | ||||
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| Studio album by Bob Dylan | ||||
| Released | April 9, 1969 | |||
| Recorded | February 12–21, 1969 | |||
| Genre | Country rock, country | |||
| Length | 27:14 | |||
| Label | Columbia | |||
| Producer | Bob Johnston | |||
| Bob Dylan chronology | ||||
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| Singles from Nashville Skyline | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |  |
| Chicago Tribune |  |
| MusicHound Rock | 3.5/5 |
| The Rolling Stone Album Guide | |
Nashville Skyline is the ninth studio album by American singer-songwriter Bob Dylan, released on April 9, 1969, by Columbia Records.
Building on the rustic style he experimented with on John Wesley Harding, Nashville Skyline displayed a complete immersion into country music. Along with the more basic lyrical themes, simple songwriting structures, and charming domestic feel, it introduced audiences to a radically new singing voice from Dylan, who had temporarily quit smoking—a soft, affected country croon.
The result received a generally positive reaction from critics, and was a commercial success. Reaching number 3 in the U.S., the album also scored Dylan his fourth UK No. 1 album.
By the time Nashville Skyline was recorded, the political climate in the United States had grown more polarized. In 1968, civil rights leader Martin Luther King Jr. and Senator Robert Kennedy (a leading candidate for the presidency) were both assassinated. Riots had broken out in several major cities, including a major one surrounding the Democratic National Convention in Chicago and a number of racially motivated riots spurred by King's assassination. A new President, Richard Nixon, was sworn into office in January 1969, but the U.S. engagement in Southeast Asia, particularly the Vietnam War, would continue for several more years. Protests over a wide range of political topics became more frequent. Dylan had been a leading cultural figure, noted for his political and social commentary throughout the 1960s. Even as he moved away from topical songs, he never lost his cultural status. However, as Clinton Heylin would write about Nashville Skyline, "if Dylan was concerned about retaining a hold on the rock constituency, making albums with Johnny Cash in Nashville was tantamount to abdication in many eyes."
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Wikipedia