Quill | |
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Origin | Boston, Massachusetts, United States |
Genres | Psychedelic rock, progressive rock, art rock |
Years active | 1967 | –1970
Labels | Cotillion |
Past members | Jon Cole Dan Cole Roger North Norm Rogers Phil Thayer |
Quill was a popular Northeast United States band that played extensively throughout New England, New York and the mid-Atlantic states in the late 1960s and that gained national attention by performing at the original in 1969. The band was founded by two singer/songwriters and brothers from the Boston area, Jon and Dan Cole.
The Coles were managed by Ray Paret and David Jenks of Amphion Management, a Boston artist management group that helped to lay the groundwork for a fertile music scene in the Cambridge-Boston area. Many musicians who became international stars were a part of their coterie of bands, like the J. Geils Band, Peter Wolf & the Hallucinations (with Wolf later joining Geils to form a hit combination), Skunk Baxter (later of Doobie Brothers and Steely Dan fame), Jim Hodder of The Bead Game (who went on to become a drummer and vocalist for Steely Dan), Andy Pratt, Jimmy Thompson, drummer Russ Levine (Ultimate Spinach, Donna Summer, Bobby Womack) and Country Funk whose bass player Jim Lanham was later a founding member of The Pure Prairie League. Many very successful Boston groups and musicians such as Aerosmith, The Cars, Jonathan Edwards, and Boston rose up out of the creative atmosphere in which Amphion was a key player.
With the assistance of the Ray and David, the Coles attracted some of the best musicians in the community. The basic line up included Roger North on drums, Norm Rogers on guitar and Phil Thayer on keyboard, sax and flute, with Jon on bass and Dan doing the bulk of the lead vocals. (However, as explained in detail below, instrumental flexibility was one of the band's most unusual features.) Out of this combination, and with the Cole brothers' focus on original songwriting came 'Quill', which was then signed as a group to Amphion Management. The band spent 1967, 1968 and 1969 regularly playing rock venues in Boston, Providence, and New York, as well as many other smaller markets around the Northeast. Though Quill rarely played outside of their region, the show made it as far west as Aspen, Colorado.