Q and Not U
| Q and Not U | |
|---|---|
| Origin | Washington, D.C., United States |
| Genres | Post-hardcore, post-punk |
| Years active | 1998–2005 |
| Labels | Dischord |
| Associated acts |
Georgie James Paint Branch Title Tracks Ris Paul Ric |
| Members |
John Davis Harris Klahr Christopher Richards |
| Past members | Matt Borlik |
Q and Not U was a post-hardcore band from Washington, D.C., signed to Dischord Records. Members John Davis, Harris Klahr, Christopher Richards, and Matt Borlik formed the band in 1998. After Borlik's departure following the release of their first album, the band went on to record two more critically acclaimed LPs as a three-piece, exploring aspects of dance-punk, and other disparate musical styles. Q and Not U disbanded in September 2005 after completing their touring commitments and a short farewell stand at Washington, D.C. venue The Black Cat.
John Davis, Harris Klahr, Christopher Richards, and Matt Borlik formed Q and Not U in the summer of 1998 and began playing shows in the D.C. area later that November. They released their first album, No Kill No Beep Beep, in late 2000. It was marked by strongly rhythmic compositions with dissonant guitar and bass, though each song was built around unique melodies and danceable beats that cut through and rode on top of the swells of noise. Several reviewers described the music as "catchy", and this quality of oblique yet upbeat and endearing musicality would be a trademark of the band's future work, setting them apart from their aurally less forgiving D.C. hardcore peers and bringing them more into line with the budding dance-punk scene.
Following extensive touring in 2000 and 2001, alongside bands like Engine Down, Milemarker, Ted Leo and The Pharmacists, and El Guapo, bassist Borlik was dismissed in November 2001. His absence prompted a more slimmed-down sound as reflected in 2002's Different Damage. Guitarist Richards occasionally took a turn on bass guitar or keyboard and Klahr also incorporated keyboards, as well as a baritone guitar, though they left bass instruments out of some songs altogether, and the album is instead driven by ever-more complex and propulsive dance beats, razor sharp guitar licks ("So Many Animal Calls", "When the Lines Go Down"), and pronounced use of multiple overlapping vocals from each member of the band ("Snow Patterns", "No Damage Nocturne"). The album also expanded upon the small patches of hushed tapping cultivated on No Kill... ("We Heart Our Hive") into fully grown bodies of delicate rhythm ("Soft Pyramids"). The band toured extensively following the release, making their way through the U.S., Europe, Canada, and Japan.
...
Wikipedia