Psychedelic soul
| Psychedelic soul | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1960s, United States |
| Typical instruments |
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| Derivative forms | |
| Fusion genres | |
| Funk rock | |
| Other topics | |
Psychedelic soul, sometimes called black rock, is a subgenre of soul music, which mixes the characteristics of soul with psychedelia. It came to prominence in the late 1960s and continued into the 1970s, playing a major role in the development of funk and disco. Pioneering acts included Sly and the Family Stone and the Temptations. Mainstream acts that developed a psychedelic sound included the Supremes and Stevie Wonder. Acts that achieved notability with the sound included The Chambers Brothers, The 5th Dimension, Edwin Starr and George Clinton's Funkadelic and Parliament ensembles.
Following the lead of Jimi Hendrix in psychedelic rock, in the late 1960s psychedelia began to have a widespread impact on African American musicians, particularly the stars of the Motown label. Influenced by the civil rights movement, it had a darker and more political edge than much psychedelic rock. Building on the funk sound of James Brown, it was pioneered by Sly and the Family Stone with songs like "Dance to the Music" (1968), "Everyday People" (1968) and "I Want to Take You Higher" (1969), which had a sound that emphasized distorted electric rhythm guitar and strong basslines. Also important were the Temptations and their producer Norman Whitfield, who moved from a relatively light vocal group into much more serious material with "Cloud Nine" (1968), "Runaway Child, Running Wild" (1969) and "Psychedelic Shack" (1969).
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