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Dance to the Music (song)

"Dance to the Music"
Dance-to-the-music-sly-sing.jpg
Single by Sly and the Family Stone
from the album Dance to the Music
Released January 1968
Format 7" single
Recorded 1967
Genre Psychedelic soul, funk
Length 3:00
Label Epic
5-10256
EMI Columbia
DB 8369 (March 1968 UK release)
Direction
58-3568 (June 1968 UK reissue)
Writer(s) Sly Stone
Producer(s) Sly Stone
Sly and the Family Stone singles chronology
"Higher"
(1967)
"Dance to the Music"
(1968)
"Life"/"M'Lady"
(1968)

"Dance to the Music" is a 1968 hit single by the influential soul/funk/rock band Sly and the Family Stone for the Epic/CBS Records label. It was the first single by the band to reach the Billboard Pop Singles Top 10, peaking at #8 and the first to popularize the band's sound, which would be emulated throughout the black music industry and dubbed "psychedelic soul". It was later ranked #223 on Rolling Stone's list of the 500 Greatest Songs of All Time.

Notably, none of the band members particularly liked "Dance to the Music" when it was first recorded and released. The song, and the accompanying Dance to the Music LP, were made at the insistence of CBS Records executive Clive Davis, who wanted something more commercially viable than the band's 1967 LP, A Whole New Thing. Bandleader Sly Stone crafted a formula, blending the band's distinct psychedelic rock leanings with a more pop-friendly sound. The result was what saxophonist Jerry Martini called "glorified Motown beats. 'Dance to the Music' was such an unhip thing for us to do."

However, "Dance to the Music" did what it was supposed to do: it launched Sly and the Family Stone into the pop consciousness. Even toned down for pop audiences, the band's radical sound caught many music fans and fellow recording artists completely off guard. "Dance to the Music" featured four co-lead singers, black musicians and white musicians in the same band, and a distinct blend of instrumental sounds: rock guitar riffs from Sly's brother Freddie Stone, a funk bassline from Larry Graham, Greg Errico's syncopated drum track, Sly's gospel-styled organ playing, and Jerry Martini and Cynthia Robinson on the horns.


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