Peter Zadek | |
---|---|
Born |
Berlin, Germany |
19 May 1926
Died | 30 July 2009 Hamburg, Germany |
(aged 83)
Spouse(s) | Brigitta Blumenthal |
Peter Zadek (German: [ˈtsaːdɛk]; 19 May 1926 – 30 July 2009) was a German director of theatre, opera and film, a translator and a screenwriter. He is regarded as one of the greatest directors in German-speaking theater.
Peter Zadek was born on 19 May 1926 to a Jewish family in Berlin. In 1934, he emigrated with his family to London where he later studied at Old Vic theatre, after a year at Oxford University. He began in weekly rep in Swansea and Pontypridd. He studied at the Old Vic, and his first productions included Oscar Wilde’s Salome and T. S. Eliot’s Sweeney Agonistes. Zadek caused a stir in London in the late 1950s with his productions of works by Jean Genet. Indeed, Genet was so outraged by Zadek's world première of The Balcony at the Arts in 1957 that he apparently bought a gun with the intention of shooting his director. He also worked as a director for the BBC in this period.
Returning to Germany in 1958, Zadek worked in the theatre in Bremen from 1962 to 1968. In 1969, he directed the film I'm an Elephant, Madame. It was entered into the 19th Berlin International Film Festival, where it won a Silver Bear award.
Zadek and his partner Elisabeth Plessen, have translated many of Shakespeare's works into German for the theater as well as works of Pinter and Chekhov, among others. Zadek was renowned for productions of Shakespeare's plays and for sparking a greater interest in English drama among German audiences. Almost three years, as the German critic and connoisseur of theater history, after his arrival in Germany was Zadek in to the German scene. 14 stagings in three years and four in the following six months: „Zadek was in a rush of making“ (im Rausch des Machens), and his „Theatermut“ (theater-courage) rejected the literary Shakespeare and took his absurdly grotesque side out. So Zadek's acclaimed staging of Der Kaufmann von Venedig (The Merchant of Venice) at Burgtheater in 1988 f. e. moved the story from the bankrupt businessman and the deadly pledge for the saving credit wisely and harmoniously into the modern every daylife.