Peter J. Moore
| Peter J. Moore | |
|---|---|
| Origin | Toronto, Ontario, Canada |
| Occupation(s) | Producer |
Peter Joseph Moore is a Canadian music producer who was first recognized for his innovative recordings of the Cowboy Junkies, produced on a shoestring budget.
In 1976, Peter, and a few other students, started the campus radio broadcast station CHRW-FM , while at the University of Western Ontario ("UWO") in London, Ontario. He was the on-air DJ for the new music program covering the punk rock and new wave scene.
At that time most records from the current artists were imported from England, which created a problem fulfilling the radio's "33% Canadian content" obligation. Since there were very few Canadian releases, Moore started recording the live shows of local and touring Canadian punk rock bands at his own expense and playing them on his radio show, "The Simon Less Radio Program". In 1979, while still studying for a degree in anthropology, Peter founded a record label called Silent Head Records and provided a rehearsal space in his own rented house for the local punk scene.
By 1981, his self-taught producing/engineering skills had reached a professional level and he branched out into other forms of music such as jazz and classical. After graduating UWO in 1982, he founded MDI Productions (incorporated in 1986) and moved his operation to Toronto.
In Toronto, Moore continued to produce rock, jazz, and classical recordings as well as film and TV scores. In 1985, he was approached by Adcom Electronics, Canada’s largest professional video supplier, to create and manage a new audio division. His duties included designing and outfitting professional music, film, and television studios throughout Canada such as Film House, CBC Toronto, Pathe, Manta, CBC Montreal, Sounds Interchange, Eastern, PFA, Sound House, CBC Vancouver (exceeding sales 1.8 million in his last year, 1989).
In 1988, Moore produced the now famous one-microphone recording Trinity Sessions by the Cowboy Junkies. The album was released in early 1988 on Latent Records in Canada, and re-released worldwide in 1989 by RCA New York City. It was recorded at Toronto, Ontario's Church of the Holy Trinity on November 27, 1987, using one ambisonic stereo microphone connected to a Beta VCR. It became an international success story selling more than 1.5 million copies in the first year. He left his employment at Adcom and has been producing, mastering and restoring music full-time ever since.
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