Patrick Süskind
| Patrick Süskind | |
|---|---|
| Born |
26 March 1949 Ambach, Bavaria, Germany |
| Occupation | Writer, screenwriter |
| Period | 1980–present |
| Literary movement | Magic realism |
| Notable works | |
Patrick Süskind (born 26 March 1949) is a German writer and screenwriter, best known for his internationally acclaimed novel Perfume: The Story of a Murderer, first published in 1985.
Süskind was born in Ambach by Starnberger See, near Munich in Germany. His father was writer and journalist Wilhelm Emanuel Süskind, who worked for the Süddeutsche Zeitung and is famous as the co-author of the well-known Aus dem Wörterbuch des Unmenschen (From the Dictionary of an Inhuman), a critical collection of essays on the language of the Nazi era. Patrick Süskind went to school in Holzhausen, a little Bavarian village. His mother worked as a sports trainer; his older brother Martin E. Süskind is also a journalist. Süskind has many relatives from the aristocracy in Württemberg, making him one of the descendants of the exegete Johann Albrecht Bengel and of the reformer Johannes Brenz.
After his Abitur and his Zivildienst, he studied medieval and modern history at the University of Munich and in Aix-en-Provence from 1968-1974, but never graduated. Financially supported by his parents, he moved to Paris, where he wrote "mainly short, unpublished fiction and longer screenplays which were not made into films."
In 1981, he had his breakthrough with the play Der Kontrabaß (The Double Bass), which was originally conceived as a radio play. In the 1984-85 theatrical season, the play was performed more than 500 times. The only role is a tragi-comical orchestral musician, who has so many problems with his instrument and his insignificance that he falls into nagging fatalism. In the 1980s, Süskind was also successful as a screenwriter for the TV productions Monaco Franze (1983) and Kir Royal (1987), among others. For his screenplay of Rossini, directed by Helmut Dietl, he won the Screenplay Prize of the German Department for Culture in 1996. He rejected other awards, like the FAZ-Literaturpreis, the Tukan-Preis, and the Gutenbergpreis.
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