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Panantukan

Suntukan
Also known as Panununtukan, Pangamot, Filipino Boxing, Mano-mano, Panantukan
Hardness Varies
Country of origin Philippines Philippines
Famous practitioners Eduard Folayang, Gabriel "Flash" Elorde, Francisco "Pancho Villa" Guilledo, Ceferino Garcia, Estaneslao "Tanny" del Campo, Buenaventura "Kid Bentura" Lucaylucay, Dan Inosanto,
Olympic sport No

Suntukan is the fist-related striking component of Filipino martial arts. In the central Philippine island region of Visayas, it is known as Pangamot or Pakamot. It is also known as Mano-mano and often referred to in Western martial arts circles of Inosanto lineage as Panantukan. Although it is also called Filipino Boxing, this article pertains to the Filipino martial art and should not be confused with the Western sport of Boxing as practiced in the Philippines.

The term suntukan comes from the Tagalog word for punch, suntok. It is the Filipino term for a fistfight or brawl and for fistfighting or boxing. Panununtukan means "the art of fistfighting".

The Visayan terms pangamot and pakamot ("use of hands") come from the Cebuano word for hand, kamot. Due to Cebuano language pronunciation quirks, they are also pronounced natively as pangamut and pakamut, thus the variation of spelling across literature.

Mano-mano comes from the Spanish word for "hand", mano, and can translate to "two hands" or "hand-to-hand". The phrase "Mano-mano na lang, o?" ("Why don't we settle this with fists?") is often used to end arguments when tempers have flared in Philippine male society.

Panantukan (often erroneously referred to as panantuken by USA practitioners due to the way Americans pronounce the letters U and A) is a contraction of the Tagalog term pananantukan, according to Dan Inosanto. It is generally attributed to the empty hands and boxing system infused by FMA pioneers Juan "Johnny" Lacoste, Leodoro "Lucky" Lucaylucay and Floro Villabrille into the Filipino martial arts component of the Inosanto Academy and Jeet Kune Do fighting systems developed in the West Coast of the United States. Pananantukan, which Inosanto picked up from his Visayan elder instructors, is a corruption of panununtukan. While the Tagalog of his instructors was not perfect (Lacoste was Waray and the Filipino language based on Tagalog was relatively new when they migrated to the United States), they were highly versed in Filipino martial arts. It is said that originally, Lucaylucay wanted to call his art Suntukan, but he was concerned that it would be confused with Shotokan Karate, so he used the term Panantukan instead. The terms panantukan and its sibling component pananjakman (for the kicking aspect - possibly a corruption of panadiyakan or pananadiyakan) are virtually unknown in the Philippines and are used more in Western Kali/Eskrima systems of Filipino-American origin.


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