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Night Goat (song)

Houdini
Melvins-houdini.jpg
Studio album by Melvins
Released September 21, 1993
Recorded 1992–1993
Genre
Length 54:50
Label Atlantic
Producer
Melvins chronology
Lysol
(1992)Lysol1992
Houdini
(1993)
Prick
(1994)Prick1994
Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars
Chicago Tribune 3/4 stars

Houdini is the fifth studio album by the Melvins, released in 1993 on Atlantic Records. The album was the band's major label debut after releasing their previous albums on the independent label Boner Records.

The album features a cover of the 1974 Kiss song "Goin' Blind". The songs "Hooch", "Lizzy" and "Honey Bucket" were released as singles with accompanying music videos. "Night Goat" is a partial re-recording of a song the band had released as a single in 1992. Nirvana's Kurt Cobain is given co-production credit alongside the Melvins on six tracks, for guitar on the song "Sky Pup", and percussion on the song "Spread Eagle Beagle".

Cobain was accepted by Melvins as a producer to the album after an A&R at Atlantic Records, who also ran Cobain's management company, suggested him. Despite receiving a co-producer credit, the extent of Cobain's involvement in the album is questionable. Andrew Earles, who included Houdini on his book, Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981-1996, stated that Cobain allegedly slept through most of the sessions. Jonathan Burnside, a collaborator of Melvins and engineer on Houdini remembered: "It's not easy reminiscing about making the album Houdini with Kurt Cobain and the Melvins. Bad communication, drugs, majorlabel profiteering, rehab, schedule blowouts, backstabbing, and album miscrediting... it was a devil's album." Speaking to Kerrang! in 2008, Melvins guitarist and vocalist Buzz Osbourne, who later said in 2009 that Cobain was "in no shape to produce anything," remembered:

"Houdini was the first album we did for Atlantic Records and certainly our biggest selling record, although not so much that I could put a down-payment on a new Rolls or something! It came on the whole tidal wave of Nirvana stuff and I'm sure if it weren't for that we wouldn't have had interest from a major at all. We wanted to do a record that wouldn't alienate our fans, but we wanted to do one that we would like. We also knew we weren’t gonna be dusting off a platinum album any time soon, you know? We did a bunch of sessions with Kurt Cobain [producing], but it got to the point where he was so out of control that we basically fired him and went our separate ways, which is unfortunate, because I think that would have been fun. Obviously that was a little snapshot of what would end up happening and I don't have a whole lot of fond memories of that – it was an absolute tragedy."


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