Niels Lauritz Høyen
| Niels Laurits Høyen | |
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Wilhelm Marstrand, Niels Laurits Høyen, 1868
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| Born |
4 June 1798 Copenhagen, Denmark |
| Died | 29 April 1870 (aged 71) Copenhagen, Denmark |
| Nationality | Danish |
| Occupation | Art historian, critic and administrator |
| Known for | First Danish art historian and critic Promoting National Romanticism |
Niels Laurits Andreas Høyen, (4 June 1798 – 29 April 1870), Danish is considered to be the first Danish art historian and critic. He promoted a Danish nationalistic art through his writings and lectures, and exerted a far reaching effect on contemporary artists. His work in various cultural institutions helped steer the development of Danish art during the mid-19th century.
Høyen was born in Copenhagen to distiller Anders Larsen Høyen and wife, Inger Margrethe. He was bright and did well in school. He was an avid reader, and was interested in art and history. He was lucky to have access to the day’s cultured homes that had been opened up to gifted students from modest backgrounds. He started his higher education in 1816. He first studied law, then theology, and then history, before finalising his studies with art history. He received a cand.phil.
He then became a student at the Drawing School of the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) where he learned perspective and anatomy, and had access to such artists as Christoffer Wilhelm Eckersberg, Christian David Gebauer and Jens Peter Møller. He took part in establishing the Student Union.
With economic support from his father he left Copenhagen in September 1822 for a three-year student travel through Germany, Austria and Italy
He was given the opportunity to give lectures at the Art Academy during the winter 1826-1827 on antique paintings. He was one of the founding members of the Art Union (Kunstforeningen) in 1827, and he helped edit the first three volumes of "Maanedsskrift for Litteratur" ("Monthly Journal of Literature") in 1829. He resided in Hillerød a short time in 1828, during which time he became familiar with the large collection of artwork, mainly portraits, which were housed in Frederiksborg Castle, now The Museum of National History with Denmark’s most important collection of portraits and history paintings.
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