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Nicolas Coustou

Nicolas Coustou
A portrait of sculptor Nicolas Coustou in full grey wig, his expression with a slight smile, and holding a hammer, with which he is working on the head of a large bronze female figure
Portrait of Nicolas Coustou at work,
by Jean Le Gros (1710)
Born (1658-01-09)9 January 1658
Lyon
Died 1 May 1733(1733-05-01) (aged 75)
Paris
Nationality French
Education C.A. Coysevox, Académie royale de peinture et de sculpture, Académie de France à Rome
Known for scultpure
Notable work La Seine at la Marne, Berger Chasseur, Descent from the Cross, Julius Caesar
Movement Late French Baroque
Awards Prix de Rome

Nicolas Coustou (9 January 1658 – 1 May 1733) was a French sculptor and academic.

Born in Lyon, Coustou was the son of a woodcarver, who gave him his first instruction in art. When he was eighteen years old he moved to Paris, to study under C.A. Coysevox, his maternal uncle, who presided over the recently established Académie royale de peinture et de sculpture; and at the age of twenty-three Coustou won the Colbert prize (the Prix de Rome, which entitled him to four years of education at the French Academy at Rome. He subsequently became rector and chancellor of the Academy of Painting and Sculpture. From 1700, he worked with Coysevox at the palaces of Marly and Versailles.

He was remarkable for his facility. Influenced by Michelangelo and Algardi, he tried to combine the best characteristics of each.

A number of his works were destroyed during the French Revolution; the most famous of those that remain are "La Seine at la Marne", the "Berger Chasseur", and "Daphne Pursued by Apollo" in the gardens of the Tuileries, the bas-relief "Le Passage du Rhin" in the Louvre, the statues of Julius Caesar and Louis XV in the Louvre, and the "Descent from the Cross" behind the choir altar of the cathedral of Notre Dame de Paris. His sculpture of Apollo pursuing Daphne is one of a pair bearing the single title that was created with his younger brother, who is ascribed as the sculptor of Daphne. Both have been in the Louvre since 1940 and were restored during 2004-06.


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