Ng Eng Teng (黄荣庭) |
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Born | 12 July 1934 Singapore |
Died | November 4, 2001 Singapore |
(aged 67)
Nationality | Singapore |
Education |
Nanyang Academy of Fine Arts North Staffordshire College of Technology Farnham School of Art |
Known for | Contemporary sculpture |
Awards |
1961: Gold Medal, Tagore Centenary Open Painting Competition 1962: Silver Medal, Nanyang University Open Painting Competition, Singapore 1974: London British Council Artist Travel Grant to England. Pingat APAD, Association of Artists of Various Resources 1981: Tan Tsze Chor Medal for Sculpture, Singapore Art Society. Cultural Medallion Award 1990: ASEAN Cultural Award for Visual Arts 2001: Montblanc de la Culture Arts Patronage Award |
Ng Eng Teng (Chinese: 黄荣庭; pinyin: Huáng Róngtíng; 12 July 1934 – 4 November 2001), The Grandfather of Singapore Sculpture was a sculptor in Singapore known for his figurative sculptures, many of which are found in public locations around Singapore. His legacy include the Mother And Child bronze sculpture outside Far East Shopping Centre along Orchard Road, and The Explorer located at the entrance of the Singapore Art Museum
Born in Singapore, Ng first showed sculpting talent as a child, playing with plasticine and creating figures for fun during classes in primary school. After graduating from Senior Cambridge examinations in 1955, he took painting and sculpture classes at the British Council, and with artist Liu Kang in 1958. Ng entered the Nanyang Academy of Fine Arts in that year and showed promise as an aspiring artist, experimenting with art in various media while other students were merely following through the curriculum. In 1959 the young Ng met British sculptor Jean Bullock in Singapore, who exposed him to sculpture art and introduced him to ciment fondu, a relatively new sculpting medium.
At the Academy, his potential also caught the eye of teacher and artist Georgette Chen, and often invited him to her home to discuss about art aesthetics. Whenever he visited her place his attention would fall on the ceramic pieces displayed at her home. It dawned upon Chen that since there were no sculptors in Singapore at that time, Ng's gift with clay and fluency with the English Language, should see him with a great future as a sculptor. She urged him not only to study plastic arts at The Potteries in Stoke-on-Trent in England, she also thought Ng should go to St. Ives and seek out ceramic artist Bernard Leach at his studio. Chen deeply admired Leach and his works.