Neo-Tudor

Tudor Revival architecture (commonly called mock Tudor in the UK) first manifested itself in domestic architecture beginning in the United Kingdom in the mid to late 19th century based on a revival of aspects of Tudor architecture or, more often, the style of English vernacular architecture of the Middle Ages that survived into the Tudor period. It later became an influence in some other countries, especially the British colonies. For example, in New Zealand, the architect Francis Petre adapted the style for the local climate. Elsewhere in Singapore, then a British colony, architects such as R. A. J. Bidwell pioneered what became known as the Black and White House. The earliest examples of the style originate with the works of such eminent architects as Norman Shaw and George Devey, in what at the time was thought of as a neo-Tudor design.

Tudorbethan represents a subset of Tudor revival architecture; the word is modelled on John Betjeman's 1933 coinage of the "Jacobethan" style, which he used to describe the grand mixed revival style of circa 1835–1885 that had been called things like "Free English Renaissance". This was generally modelled on the grand prodigy houses built by the courtiers of Elizabeth I and James VI. "Tudorbethan" took it a step further, eliminated the hexagonal or many-faceted towers and mock battlements of Jacobethan, and applied the more domestic styles of "Merrie England", which were cosier and quaint. It was associated with the Arts and Crafts Movement. Outside North America, Tudorbethan is also used synonymously with Tudor revival and mock Tudor.

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