Mycenaean pottery was produced from c. 1600 BC to c. 1000 BC by Mycenaean Greek potters. It is divided by archaeologists into a series of stillages on the slopes of hills to, eventually, the dominating culture of Ancient Greece.
Mycenaeans rose in prominence around 1600 BC and stayed in control of Greece until about 1100 BC. Evidence shows that they spoke an early form of Greek. They took control of Crete ca. 1450 BC.
An abundance of Mycenaean pottery is found in Italy and Sicily, suggesting that they were in contact and traded with the Mycenaeans.
There is some question as to how much of the pottery of this age relies on Minoan pottery for both their shapes and the patterns. For at least the first half of the seventeenth century BC there is only a small portion of all pottery produced that is in the Minoan style.
Late Helladic I-IIA pottery can be distinguished by the use of a more lustrous paint than the predecessors. While this is more common during this age, there was a considerable amount of pottery produced in the Middle Helladic period style, using matte paints and middle Helladic shapes.
Where the first recognizably Mycenaean pottery emerged is still under debate. Some believe that this development took place in the northeast Peloponnese (probably in the vicinity of Mycenae). There is also evidence that suggests that the style appeared in the southern Peloponnese (probably Lanconia) as a result of the Minoan potters taking up residence at coastal sites along the Greek Mainland.
The pottery during this period varies greatly in style from area to area. Due to the influence of Minoan Crete, the further south the site, the more the pottery is influenced by Minoan styles.
The easiest way to distinguish the pottery of this period from that of the late Middle Helladic is the use of a fine ware that is painted in a dark-on-light style with lustrous paints. This period also marks the appearance of a fine ware that is coated all over with paint varying from red and black in color. This ware is monochrome painted and is directly descended from grey and black Minyan ware (which disappear during LH I). A form of the yellow Minyan style also appears in this period, merging into Mycenaean unpainted wares.