Molester's Train: Nasty Behavior

Molester's Train: Nasty Behavior
Theatrical poster for Molester's Train: Nasty Behavior (1993)
Directed by	Hisayasu Satō (as Hisakazu Hata)
Written by	Kyōko Godai
Starring	Yumika Hayashi Kiyomi Itō
Cinematography	Masashi Inayoshi
Edited by	Shōji Sakai
Distributed by	Kokuei Shintōhō Eiga
Release date	November 26, 1993
Running time	54 minutes
Country	Japan
Language	Japanese

Molester's Train: Nasty Behavior (痴漢電車　いやらしい行為, Chikan densha: iyarashii kōi) aka Molester's Train: Dirty Behaviorand Birthday (誕生日, Tanjōbi) is a 1993 Japanese pink film directed by Hisayasu Satō under the pseudonym Hisakazu Hata as part of the Molester's Train series. Future director, Shinji Imaoka worked on the project as assistant director, and prolific screenwriter Kyōko Godai wrote the film. It was named the second best pink film release of the year at the annual Pink Grand Prix.

After the loss of her boyfriend, a young woman plans to explode herself with a stick of dynamite on her 20th birthday. On the subway she meets a young man who films women while molesting them. The two become romantically involved.

Future Academy Award-winner Yōjirō Takita started the long-running Molester's Train series at Shintōhō Eiga. The original series ran for twelve episodes between 1982 and 1985, and was in a light-comic vein similar to early U.S. nudie-cuties such as Russ Meyer's The Immoral Mr. Teas (1959). The popularity of the "Molester" theme led other pink film studios to create their own versions of the series. When they decided to resurrect the series in 1993, Shintōhō Eiga chose to go in an entirely different direction by hiring controversial, cult-film director Hisayasu Satō to helm the project.

Allmovie writes that, working within Shintōhō Eiga's Molester's Train series format, Molester's Train: Nasty Behavior is, "much tamer than [Hisayasu Satō's] usual sadistic gorefests", and that his fans, "may be disappointed that there is nary a rape, whipping, or bloody tooth extraction in sight". The review speculates that the softening in tone from Satō may be a result of the input from Kyōko Godai. Godai is a prolific pink film screenwriter, and wife of actor-director Yutaka Ikejima.