Mobile Suit Gundam F91
| Mobile Suit Gundam F91 Movie | |
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Japanese film poster
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| Directed by | Yoshiyuki Tomino |
| Written by |
Tsunehisa Ito Yoshiyuki Tomino |
| Starring |
Kōji Tsujitani Masaki Maeda Yumi Tōma |
| Music by | Satoshi Kadokura |
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Production
company |
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| Distributed by | Shochiku |
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Release date
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Running time
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115 minutes |
| Country | Japan |
| Language | Japanese |
Mobile Suit Gundam F91 (Japanese: 機動戦士ガンダムF91 Hepburn: Kidō Senshi Gandamu Fōmyura Nainti Wan?) is a 1991 anime film. It was Gundam creator Yoshiyuki Tomino's attempt to launch a new Gundam saga, set thirty years after Char's Counterattack and twenty seven years after the later published Gundam Unicorn. He re-teamed with character designer Yoshikazu Yasuhiko and mecha designer Kunio Okawara for the occasion. The movie was first released in Japan on March 16, 1991.
The setting places the movie thirty years after the events of Mobile Suit Gundam: Char's Counterattack, and none of the characters that had previously appeared in the series were present in the film.
Renewed conflict breaks out after a generation of peace in this continuation of the "Mobile Suit Gundam" anime saga. To accommodate the growing population, the Earth Federation has built new space colonies. But the Crossbone Vanguard decides to seize these cities to help establish its extraterrestrial empire. Now, reluctant hero Seabook Arno and his Gundam F91 must lead a fierce struggle for survival.
Originally planned as a full-length television series to mark the tenth anniversary of the Gundam franchise, Gundam F91 hit a production snag due to staff disputes, and the project was stopped after the screenplays for the first thirteen episodes were written. It was then decided that what was made of the show would be condensed into a theatrical feature film.
A movie adaptation in the Gundam franchise had not been created since Char's Counterattack. Gundam F91 was developed with the goal of presenting a new era and new characters, at a time when SD Gundam was the representative of Gundam in movie theaters. Tomino commented apart from the actual announcement of the work that the theme of the film would involve family matters.
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